Next we may compare the classes of society given in the Mirour with those that we find in the Vox Clamantis. It is not necessary to exhibit these in a tabular form; it is enough to say that with some trifling differences of arrangement the enumeration is the same. In the Vox Clamantis the estate of kings stands last, because the author wished to conclude with a lecture addressed personally to Richard II; and the merchants, artificers and labourers come before the judges, lawyers, sheriffs, &c., because it is intended to bring these last into connexion with the king; but otherwise there is little or no difference even in the smallest details. The contents of the ‘third part’ of the Mirour, dealing with prelates and dignitaries of the Church and with the parish clergy, correspond to those of the third book of the Vox Clamantis; the fourth part, which treats of those under religious rule, Possessioners and Mendicants, is parallel to the fourth book of the Latin work. In the Mirour as in the Vox Clamantis we have the division of the city population into Merchants, Artificers and Victuallers, and of the ministers of the law into Judges, Advocates, Viscounts (sheriffs), Bailiffs, and Jurymen. Moreover what is said of the various classes is in substance usually the same, most notably so in the case of the parish priests and the tradesmen of the town; but parallels of this kind will be most conveniently pointed out in the Notes.
To proceed, the Mirour will be found to contain a certain number of stories, and of those that we find there by much the greater number reappear in the Confessio Amantis with a similar application. We have the story of the envious man who desired to lose one eye in order that his comrade might be deprived of two (l. 3234), of Socrates and his scolding wife (4168), of the robbery from the statue of Apollo (7093), of Lazarus and Dives (7972), of Ulysses and the Sirens (10909), of the emperor Valentinian (17089), of Sara the daughter of Raguel (17417), of Phirinus, the young man who defaced his beauty in order that he might not be a temptation to women (18301), of Codrus king of Athens (19981), of Nebuchadnezzar’s pride and punishment (21979), of the king and his chamberlains (22765). All these are found in the Mirour, and afterwards, more fully related as a rule, in the Confessio Amantis. Only one or two, the stories of St. Macaire and the devil (12565, 20905), of the very undeserving person who was relieved by St. Nicholas (15757), of the dishonest man who built a church (15553), together with various Bible stories rather alluded to than related, and the long Life of the Virgin at the end of the book, remain the property of the Mirour alone.
If we take next the anecdotes and emblems of Natural History, we shall find them nearly all again in either the Latin or the English work. To illustrate the vice of Detraction we have the ‘escarbud,’ the ‘scharnebud,’ of the Confessio Amantis, which takes no delight in the flowery fields or in the May sunshine, but only seeks out vile ordure and filth (2894, Conf. Am. ii. 413). Envy is compared to the nettle which grows about the roses and destroys them by its burning (3721, Conf. Am. ii. 401). Homicide is made more odious by the story of the bird with a man’s features, which repents so bitterly of slaying the creature that resembles it (5029, Conf. Am. iii. 2599); and we may note also that in both books this authentic anecdote is ascribed to Solinus, who after all is not the real authority for it. Idleness is like the cat that would eat fish without wetting her paws (5395, Conf. Am. iv. 1108). The covetous man is like the pike that swallows down the little fishes (6253, Conf. Am. v. 2015). Prudence is the serpent which refuses to hear the voice of the charmer, and while he presses one ear to the ground, stops the other with his tail (15253, Conf. Am. i. 463). And so on.
Then again there are a good many quotations common to the Mirour and one or both of the other books, adduced in the same connexion and sometimes grouped together in the same order. The passage from Gregory’s Homilies about man as a microcosm, partaking of the nature of every creature in the universe, which we find in the Prologue of the Confessio and also in the Vox Clamantis, appears at l. 26869 of the Mirour; that about Peter presenting Judea in the Day of Judgement, Andrew Achaia, and so on, while our bishops come empty-handed, is also given in all three (Mir. 20065, Vox. Cl. iii. 903, Conf. Am. v. 1900). To illustrate the virtue of Pity the same quotations occur both in the Mirour and the Confessio Amantis, from the Epistle of St. James, from Constantine, and from Cassiodorus (Mir. 13929, 23055 ff., Conf Am. vii. 3149*, 3161*, 3137). Three quotations referred to ‘Orace’ occur in the Mirour, and of these three two reappear in the Confessio with the same author’s name (Mir. 3801, 10948, 23370, Conf. Am. vi. 1513, vii. 3581). Now of these two, one, as it happens, is from Ovid and the other from Juvenal; so that not only the quotations but also the false references are repeated. These are not by any means all the examples of common quotations, but they will perhaps suffice.
Again, if we are not to accept the theory of common authorship, we can hardly account for the resemblance, and something more than resemblance, in passages such as the description of Envy (Mir. 3805 ff., Conf. Am. ii. 3095, 3122 ff.), of Ingratitude (Mir. 6685 ff., Conf. Am. v. 4917 ff.), of the effects of intoxication (Mir. 8138, 8246, Conf. Am. vi. 19, 71), of the flock made to wander among the briars (Mir. 20161 ff., Conf. Am. Prol. 407 ff.), of the vainglorious knight (Mir. 23893 ff., Conf. Am. iv. 1627 ff.), and many others, not to mention those lines which occur here and there in the Confessio exactly reproduced from the Mirour, such as iv. 893,
‘Thanne is he wys after the hond,’
compared with Mir. 5436,
‘Lors est il sage apres la mein.’
Conf. Am. Prol. 213,
‘Of armes and of brigantaille,’