The man who wrote this not only showed some idea of the dignified handling of a tragic theme, but also had considerable mastery over the instruments that he used; and in fact the technical skill with which the stanza is used is often remarkable. There is sometimes a completeness and finish about it which takes us by surprise. The directions which our author gives us for a due confession of our sins are not exactly poetical, but the manner in which all the various points of Quomodo are wrapped up in a stanza, and rounded off at the end of it (14869 ff.) is decidedly neat; and the same may be said of the reference to the lives of the holy fathers, as illustrating the nature of ‘Aspre vie’:
‘Qui list les vies des saintz pieres,
Oïr y puet maintes manieres
De la nature d’Aspre vie:
Les uns souleins en les rocheres,
Les uns en cloistre ove lour confreres,
Chascun fist bien de sa partie;
Cil plourt, cist preche, cil dieu prie,
Cist june et veille, et cil chastie
Son corps du froid et des miseres,