Gairloch in North-West Ross-Shire / Its Records, Traditions, Inhabitants, and Natural History, with a Guide to Gairloch and Loch Maree, and a Map and Illustrations

by John H. Dixon

Gaelic literature has been well represented in Gairloch. John Mackenzie, the author of the "Beauties of Gaelic Poetry," and many other works in Gaelic ([Part II., chap. xxii.]), was a native of Gairloch; and Mr Alexander Mackenzie, the editor of the Celtic Magazine, and the author of many valuable works (some containing Gaelic pieces), is also a Gairloch man. The Gaelic books especially pertaining to Gairloch are the poems of William Ross, the Gairloch bard, edited by the late John Mackenzie, and the poems of Duncan Mackenzie, the Kenlochewe bard, edited by Mr Alexander Mackenzie.

There has been much diversity of opinion upon the question whether it would not be better that the Gaelic language should be discouraged and be assisted to die out. I believe some few of the Highlanders themselves have adopted this unpatriotic view, but the contrary opinion, so ably advocated by Professor Blackie, now appears to be gaining ground. It seems quite possible that the Highlander may not only have a thorough command of English, but may also retain his own expressive language with its ennobling traditions. No doubt a knowledge of the language which is the medium through which most of the business of the kingdom is conducted has its importance; but surely the retention of their own tongue by Highlanders must tend in great measure to foster a patriotic feeling, which should lead them to do credit in their lives and conduct to their native glens.

There is no separate record of the dress anciently worn by the natives of Gairloch, but it was unquestionably the same as that of all the other inhabitants of the Highlands of Scotland, viz., the Breacan an Fheilidh, or belted or kilted plaid. In the Celtic Magazine, Vol. VIII., is a treatise on the "Antiquity of the Kilt," by Mr J. G. Mackay. One curious fact he mentions is, that the Norwegian king Magnus, in his expedition to the Western Isles of Scotland in 1093, adopted the costume then in use in the western lands, which no doubt included the parish of Gairloch; so that we may if we please picture our prince of the Isle Maree tragedy as wearing the Highland dress. From this notice of King Magnus, and more particularly from the account given by John Taylor ([Part IV., chap. xx.]) of the deer hunting at Braemar, we learn that the Highlanders in old days expected all who came among them to adopt their peculiar garb.

Sometimes the belted plaid was worn along with the "triubhais," or "truis," or trews, a prolongation upwards of the tartan hose, fitting tightly to the skin and fastened below the knees with buckles. These trews were very different in appearance and make from the tartan trousers worn by some Highland regiments in the present day. Oddly enough the only representation extant of a Gairloch man of the old days, viz., Donald Odhar, exhibits him in the tartan trews. This representation is in the Mackenzie coat-of-arms on the Sabhal Geal at Flowerdale. It was doubtless executed by a southern sculptor, long after Donald Odhar lived and fought. But unquestionably the most usual—almost universal—form of the Highland dress was the tartan plaid gathered into pleats round the waist, where a belt kept it in position (thus forming the kilt), the rest of the plaid being brought over the shoulder. The name of the dress thus formed (Breacan an Fheilidh) means the plaid of the kilt.

The present form of the Highland dress, in which the kilt—sometimes called "philabeg"—is made up as a separate garment, has given rise to much controversy. The strife is said to have originated in a letter in the Scots Magazine in 1798; it was stated that about 1728 one Parkinson, an Englishman, who was superintendent of works in Lochaber, finding his Highland labourers encumbered with their belted plaids, taught them to separate the plaid from the kilt and sew the kilt in its present form. Others say that the inventor of the kilt was Thomas Rawlinson, of the Glengarry ironworks, who about the same date and for the same reason introduced the supposed new dress.

Mr J. G. Mackay, in the treatise already referred to, proves incontestably that the separate form of the kilt is very ancient, and cannot have been the subject of a comparatively modern invention. The truth seems to be that, whilst the belted plaid was most generally worn, as requiring no tailoring, the separate kilt is of equal or greater antiquity, and was at all times occasionally used on account of its superior convenience, especially in those localities where the tailor's art was practised. An incidental corroboration of Mr Mackay's view is to be seen in a plan of Aberdeen, dated 1661, preserved in the municipal buildings of that city. In a corner of the plan three figures are represented, two of them in the lowland costume of the seventeenth century, and the third, a young man, dressed in a kilt and short coat without plaid, being exactly the form of the Highland dress as now generally worn. The Highland figure was probably introduced to record the then semi-Highland character of Aberdeen.

In order to repress the Highland esprit, an act (20th George II., cap. 51) was passed after the battle of Culloden, which rendered it illegal for any man or boy after 1st August 1747 to wear the Highland dress. The effect of this law was various. In some parts it was rigidly enforced, and the kilt was generally abandoned, whilst those few who persisted in wearing it were severely punished. In other places evasions of the act were winked at by the authorities; men who procured the legal breeches would hang them over their shoulders during journeys; others used the artifice of sewing up the centre of the kilt between the legs; whilst others again substituted for the tartan kilt a piece of blue, green, or red cloth wrapped round the waist, and hanging down to the knees, but not pleated.

In the Old Statistical Account (1792) there are many references to the Highland dress and to the effect of the passing of this act. In the account of the parish of Petty, Inverness-shire, we read, "The Highland dress is still retained in a great measure. The plaid is almost totally laid aside; but the small blue bonnet, the short coat, the tartan kilt and hose, and the Highland brogue, are still the ordinary dress of the men. The women in like manner retain the Highland dress of their sex, but have adopted more of that of their low country neighbours than the men."

The Old Statistical Account tells us nothing of the dress of the inhabitants of Gairloch; but in the notice given of the neighbouring parish of Kincardine, in the same county, is the following:—"The act 1746, discharging the Highland dress, had the worst of consequences. Prior to that period the Highland women were remarked for their skill and success in spinning and dying wool, and clothing themselves and their households, each according to her fancy, in tartans, fine, beautiful, and durable. Deprived of the pleasure of seeing their husbands, sons, and favourites in that elegant drapery, emulation died, and they became contented with manufacturing their wool in the coarsest and clumsiest manner, perhaps thinking that since they must appear like the neighbouring lowlanders, the less they shone in the ornaments of the lowland dress they would be the more in character. Their favourite employment thus failing them, rather than allow their girls to be idle they made them take to the spinning of linen yarn, in which few are yet so improved as to earn threepence per diem, and much, if not the most of the small earnings of these spinners, is laid out upon flimsy articles of dress; whilst that conscious pride, which formerly aspired at distinction from merit and industry, is converted into the most ridiculous and pernicious vanity."