[205]. Cf. Mon. d. Inst. vi. pl. 2; Arch. Ztg. 1847, pl. 6.
[206]. Körte, I rilievi delle urne etrusche, ii. pl. 33–36.
[207]. The urn in the Brit. Mus., no. 6, pl. 36, op. cit., has two such figures.
[208]. So Bergk and Ribbeck.
[209]. v. 234 ff.
[210]. Pliny, 35. 73, says of the picture, oratorum laudibus celebrata. Numerous mentions are in fact made of it by the orators. Cf. especially Cic. Orat. 22. 74. Vid. further, Brunn’s Griech. Künstler, ii. p. 82 ff.
[211]. Discovered April 30, 1825, in the house of the ‘Tragic Poet’; pub. Baumeister, Denkmäler, i. no. 807 = photo, Alinari, 12027. Vid. Helbig, Campanische Wandgemälde, no. 1304. Here, however, Iphigeneia is being carried (cf. Aisch. Agam. loc. cit.), while Pliny speaks of her as stans in Timanthes’ painting.
[212]. Pub. Baumeister, op. cit. i. 806; vid. F.-W. no. 2143.
[213]. Vid. Michaelis in Röm. Mitth. 1893, p. 201 ff.; cf. p. [4] above.
[214]. Brunn, I rilievi delle urne etrusche, i. pl. 35–47. There are altogether twenty-six reliefs, of which twenty-one belong to Perugia. Cf. Schlie, Die Darstellungen des troischen Sagenkreises auf etruskischen Aschenkisten, p. 60 f.