[225]. Frag. 123, and Paus. 1. 43. 1.
[226]. Bk. iv, ch. 103, and Paus. loc. cit.
[227]. Vid. Suidas s.v.
[228]. 1456a. 6; 1453b. 11.
[229]. Ribbeck, Die römische Tragödie, p. 50.
[230]. Ribbeck thinks of Naevius.
[231]. For these last two scenes as well as the others, vid. Robert, Die antiken Sarkophag-Reliefs, vol. ii. pl. 57–59, and p. 165 f. and 177 ff.
[232]. Fig. 17, from Raoul-Rochette, Mon. inéd. pl. 41. Heydemann, cat. Santangelo, no. 24; cf. Trendelenburg in Annali d. Inst. 1872, p. 114.
[233]. Vid. Robert, op. cit. nos. 157b, 168, 171.
[234]. A wall painting from Herculaneum, pub. Pitture di Ercolano, i. pl. 12; Overbeck’s Bildwerke, pl. 30. 9; cf. Helbig, Campanische Wandgemälde, no. 1334. Another painting from Pompeii is published in Arch. Ztg. 1875, pl. 13; for the same on pastes and gems cf. Overbeck, op. cit. pl. 30, and Furtwängler’s Beschreibung der geschnittenen Steine im Antiquarium (Berlin), nos. 791 ff.