V.—The Hymn “Sancti Venite.”
It was in St. Sechnall’s Church of Dunshaughlin that a beautiful Eucharistic Hymn, ‘Sancti Venite,’ was first sung, and most probably composed by that saint himself. In the Preface of the Leabhar Breac, it is said that this hymn was first chanted by angels in St. Sechnall’s Church, on the occasion of his reconciliation with St. Patrick, to which we have already referred. The choir of angels was heard singing the hymn during the Holy Communion, and “hence arose the custom ever afterwards observed in Erin,” says the writer, “of singing this hymn at the Communion;” and hence, too, the title which it bears in the Antiphonary of Bangor—the only ancient work in which it is found—“Hymn during the Communion of the Priests.”[100] We could wish this beautiful hymn were still used in our national liturgy. Denis Florence M‘Carthy has left us an excellent translation of this remarkable hymn, of which we give the first and last stanzas:
“Draw nigh, ye holy ones, draw nigh,
And take the body of the Lord,
And drink the Sacred Blood outpoured,
By which redeemed ye shall not die.
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“The Source, the Stream, the First, the Last,
Even Christ the Lord, who died for men,
Now comes—but he will come again
To judge the world, when time hath passed.”
The original stanzas are as follows:—
“Sancti Venite,
Christi Corpus Sumite;
Sanctum bibentes
Quo redempti sanguinem.
“Alpha et Omega,
Ipse Christus Dominus,
Venit venturus
Judicare homines.”
St. Sechnall was the first Christian poet in Erin; may his name and memory linger long amongst the children of St. Patrick.
VI.—St. Fiacc of Sletty.
St. Fiacc, Bishop of Sletty, and author of what is perhaps the earliest biography of our national Apostle, belongs also to the Patrician era, that is the fifth century of the Irish Church. A brief account of his life and labours will be found interesting. He was sixth or seventh in descent from the celebrated Cathair Mor, King of Leinster towards the close of the second century. His father is called Mac Dara, a prince of the Hy Bairrche. His mother, the second wife of Mac Dara, was a sister of Dubhtach Mac Ua Lugair, the Chief Poet and Brehon of Erin when St. Patrick arrived in Ireland. Fiacc was not only a nephew of Dubhtach, but also his pupil and foster son; and he is described as a ‘young poet’ in the retinue of Dubhtach on that famous Easter Sunday morning, when St. Patrick first stood in the royal presence on the Hill of Tara. King Laeghaire had forbidden any of his courtiers to rise up in token of respect to St. Patrick, and accordingly, when Patrick came before the King, all remained seated except “Dubhtach the Royal Poet, and a tender youth of his people, named Fiacc, the same who is commemorated in Sletty to-day.”[101] Dubhtach was the first who believed at Tara on that day, and doubtless his youthful disciple soon after embraced the same faith as his master; although probably he was not baptized until some years later. At this period the boy poet was not, it seems, more than sixteen or eighteen years of age, and must, therefore, have been born about the year A.D. 415.
Dubhtach, the arch-poet of Laeghaire, was a Leinster man, and received from Crimthan, King of the Hy Kinnselach, a grant of a considerable territory in North Wexford, eastward of Gorey, in the territory then called Formael—“a wave-bound land beside the fishful sea.” St. Patrick had converted and baptized this king, Crimthan, at Rathvilly in the County Carlow, about the year A.D. 450, during his progress through Leinster. On this occasion he very naturally came to see his old friend Dubhtach, the first of the believers at Tara, and found him at a place called Domnach Mor Magh Criathar, that is Donoughmore of “the marshy plain.” This marshy plain extends along the sea shore to the north of Cahore Point, Co. Wexford. At the northern extremity of the plain are the ruins of the old Church of Donoughmore, half covered by the sand; and close by is a holy well where a ‘patron’ was formerly held on the last Sunday of July. The late Rev. Father Shearman has, we think, shown conclusively that this is the Donoughmore, where St. Patrick met Dubhtach, the High Bard of Erin.
On the occasion of this meeting Patrick, anxious to provide for the government of the young Church in Leinster, requested Dubhtach to find him a man of good family, and good morals, the husband of one wife,[102] and with one child only, that he might ordain him Bishop of the men of Leinster. “Fiacc is the very man you require,” said Dubhtach; “but at present he is in Connaught”—to which province he went, it seems, at his master’s request, to make the usual bardic visitation, and bring home the gifts which the sub-kings were wont to offer to the Chief Poet of Erin. Just then it so happened that Fiacc came in sight of the fort of Dubhtach on his return from his visitation in Connaught. “There is the man himself,” said the Arch-poet, “of whom we have been speaking.” “But he may not wish to receive orders,” said Patrick. “Proceed as if to tonsure me,” replied the poet, “and we shall see.” Thereupon St. Patrick made preparations as if to tonsure the aged poet—it was the first step to orders—whereupon Fiacc said, “it would be a great loss to the Bardic order to lose so great a poet;” and he offered himself for the service of the Church instead of Dubhtach. The offer was gladly accepted, and so Fiacc came to receive grade, or orders, and finally became Ard-espog, or Chief Bishop, of the Leinster-men. This was a mere title of honour given to him on account of his seniority and pre-eminent merits. In the canonical sense the office of Archbishop did not then exist in Leinster, nor for many centuries afterwards.