The repose which Soliman had promised himself did not last long; the interruption came whence it was least expected. Of his numerous sons Mustapha, his eldest, was the child of a Circassian, whilst several others were children of Roxelana, a jealous and ambitious woman. The sister of this latter woman, married to the Grand Vizier Rustem, was the link by which she succeeded in obtaining his co-operation in her schemes. Seeing every probability of Mustapha eventually obtaining the throne to the exclusion of her own sons, Roxelana determined upon his death. Conspiring with Rustem, she forged letters purporting to be addressed by the heir-apparent to a friend of his, informing him that he was treating with his father's foe, the King of Persia, with the view of obtaining one of his daughters in marriage. At the same time that this communication was adroitly placed before Soliman, he received intelligence from his Grand Vizier that Prince Mustapha displayed a disposition to revolt, and was attending complacently to the seditious propositions of the emissaries.

This startling news aroused the old hero; he immediately quitted his palace and its pleasures, placed himself once more at the head of his army, and summoned his son to his presence. On the 21st September, 1555, ignorant of the charges against him, or relying upon his innocence, the Prince arrived at his father's camp, was met by the chief captains, and conducted with all the pomp due to his rank as heir-apparent to an audience of the Sultan. On entering the imperial tent, the unfortunate man was seized by seven mutes, and strangled with a bowstring, calling vainly upon his father, who, hidden by a silken curtain, witnessed the horrible deed. Not satisfied with his son's death, the old monarch also caused his grandson Murat, Mustapha's child, to be put to death in the same way as its parent. Prince Ziangir, a younger brother of the assassinated man, was so distressed at the catastrophe, that, after reproaching his unnatural father, he committed suicide. The two princes were interred together, and a mosque erected over their remains.

The army deeply deplored the loss of the unfortunate Mustapha, who was held in great esteem, and attributing his death to the schemes of Rustem clamoured for his dismissal. Yielding to the universal indignation, Soliman consented to deprive the Grand Vizier of his post, which was bestowed on Ahmed Pacha. The general feeling of grief which the heir-apparent's death caused throughout the empire found expression in numerous poems and elegies; and amongst others Yahïa, a celebrated contemporary poet, composed verses that were known and repeated in all parts of the empire. Two years later, when Rustem returned to power, he was desirous of having Yahïa executed, but this the Sultan would not consent to; and the Grand Vizier had to satisfy his vengeance with depriving the poet of his post of Administrator of Charity to the crown.

Meanwhile the death of Mustapha, so far from having secured rest for either Soliman or the Empire, only gave rise to fresh complications. Bajazet and Selim, two sons of the infamous but clever Roxelana, both desirous of grasping the sceptre before their father's death, by means of a deep-laid conspiracy, raised the standard of revolt; and in order to obtain the sympathy and assistance of the army gave out that Mustapha, instead of being dead as was generally imagined, was alive, and heading the rebels. It was averred that the prince had been permitted to escape, someone else having been substituted in his place for execution. A man, bearing a resemblance to the deceased Mustapha, was found and taught to play the part destined for him.

The army, eager to vent its rage upon Rustem, deserted largely to the pretender, whom many officers of position recognized, or appeared to, as their veritable prince. The Sultan was equal to the emergency; he sent vigorous instructions to the governors of the provinces where the disorders were; raised large bodies of mercenaries, and, above all, sowed his gold broadcast. This latter method had the desired effect: the impostor was betrayed, and by a man whom he had created his Grand Vizier. Conducted to Constantinople, and put to the torture, the claimant revealed the whole plot. Selim fled for refuge to Persia, but was ultimately delivered up to his father for a large sum of money by the Shah; and, together with his five little sons, put to death. Bajazet's apparent contrition, and his mother Roxelana's intercession, procured his pardon; but the unfortunate instrument of his villainy, the pseudo Mustapha, was executed on the gallows.

THE FALSE SEBASTIAN OF PORTUGAL.

A.D. 1598-1603.

No claimant's case is more remarkable than that of Don Sebastian of Portugal, exhibiting, as it does, the tenacity of tradition; for, although more than two hundred years had elapsed since their sovereign's death, hopes of his return were entertained down to the beginning of the present century by his superstitious countrymen, who cherished his memory much as the memory of those semi-mythical monarchs—Arthur of England, and Barbarossa of Germany—was cherished by their respective countrymen in the middle ages.

Don Sebastian, King of Portugal, led by an insane desire to emulate the deeds of his ancestors against the Arabs, availed himself of every opportunity of mixing in the dynastic quarrels of the Moors. In 1578, contrary to the wishes and remonstrances of his allies, relatives, and people, he accompanied an expedition to Africa, with the avowed purpose of setting the Cross above the Crescent, but virtually in hopes of gaining a warrior's renown. His first battle on the field of Alcaçarquivir was as ill-fated as it was ill-advised; the Portuguese army was cut to pieces, and Sebastian, so it was supposed, was amongst the slain. After the fight, a corse, recognized by one of the survivors as the King's, was discovered by the victorious Moors, and forwarded by the Emperor of Morocco as a present to his ally, Philip the Second of Spain. In 1582 this monarch restored it to the Portuguese, by whom it was interred with all due solemnity in the royal mausoleum in the church of Our Lady of Belem.