Besides these, there is a small profile of Gibbs in a circle, which I do not think Hogarth's,—at least it is uncertain.
7. Arms of the Foundling Hospital, printed on the tops of the indenture.
8. The same in a smaller size, employed as a vignette to Psalms, Hymns, and Anthems, and also to an account of the institution of the hospital, etc.
Of the original pen-and-ink drawing there is a modern copy.
9. A Wooden Cut—headpiece to the Jacobites' Journal; a newspaper set up and supported by Henry Fielding. This print (of which there is a modern copy in aquatinta) was prefixed to six or seven of the earliest papers, and then set aside. Mine is dated "2d January 1747. No. 5."
1748.
1. View of Mr. Ranby's House at Chiswick; etched by Hogarth, without any inscription. Afterwards "published for Jane Hogarth," etc., 1st May 1781.
2. Hymen and Cupid; two figures, with the view of a magnificent villa in the distance. No inscription. This was engraved as a ticket for the Masque of Alfred, performed at Cliveden House before the Prince and Princess of Wales on the Princess Augusta's birthday. It was afterwards intended to be used as a receipt to the Sigismunda; on the earliest impressions, "£2, 2s." is usually written.
1749.
The Gate of Calais; engraved by C. Mosely. The original picture is in the possession of the Earl of Charlemont.