"Mr. Mylins when in England translated it into German, under the author's inspection; his translation was printed in London, and contains only twenty-two sheets in quarto, and the two prints, yet was it sold for five dollars."
Mr. Vok proposes taking subscriptions of one dollar for his edition, which is not to be sold under two dollars to non-subscribers. He further promises to annex a short description of Mr. Hogarth's prints, translated from the French, and engages that the work shall be ready in six weeks from the time of his proposals, which he dates from Berlin, 1st July 1754.
Mr. Reiffsten's Letter to Mr. Hogarth.
"Sir,—An universal reputation, and undisputed title to superiority, cannot but draw upon you the importunities of those who are ambitious of an acquaintance with men of genius. Ever since my first perusing the Analysis of Beauty, in which the author is no less to be admired than the artist, I have been on the watch for a favourable opportunity of contributing my share, though ever so small, to the thanks of the public. In that ingenious and elaborate composition you are allowed by all men of taste to have dispelled the mist and cleared the difficulties that had previously attended a problem in painting, of exquisite nicety and the greatest moment. The most eminent masters and most sagacious theorists had travelled in the dark, or wandered through mazes in a fruitless search after beauty. To you alone it was reserved to unravel her windings, reveal her charms to open view, and fix her hidden though genuine excellence.
"At length, sir, the opportunity I had so long coveted seems to offer itself, of course. It is owing to the erection of an Imperial Academy at Augsburg, for the study and improvement of arts and letters. I am commissioned as a deputy from the whole body to interpret their sentiments, and to inform you how highly they value and respect your uncommon talents and capacity. Proud of the acquisition of one no less distinguished in the republic of letters than in the commonwealth of arts, they earnestly desire you would accept the diploma of counsellor and honorary member of their Academy. It is ready to be drawn up, and will not fail being despatched so soon as they are sure of your approbation; which, 'tis hoped, will not be refused by one who has deserved so well of all lovers of taste and genius. But before you take this step it is but natural you should ask in what consists the Academy of which you are solicited to become a member, and whose existence, probably enough, is not so much as suspected in England. To obviate so proper an inquiry, suffer me, sir, to acquaint you in a few words with its origin, constitution, and design.
"About three or four years since, some artists of Augsburg formed themselves into a society, in order to promote and encourage the imitative arts, especially painting and engraving. They applied to the Emperor for protection, which was graciously granted. Soon after they published, at their own expense, a few select pieces; but finding that the polite arts cannot be brought to perfection without the help of literature, and that to excel an artist must be something of a scholar himself, or be assisted by men of learning, they associated those to their body by whom they might be furnished with instructions in writing upon the two above-mentioned branches, and a correspondence both within the empire and abroad properly carried on. Having thus far met with success, they began to extend their views, and endeavoured to fix an institution for teaching methodically the art of drawing or designing—an establishment much wanted here in Germany. This scheme being laid before the Imperial Court, the society obtained an ample charter and considerable privileges. It was incorporated under the denomination of 'an Academy of Arts and Letters,' and the Emperor was pleased to illustrate it with his own name. He conferred the honour of knighthood upon the president, and the title of imperial counsellor on the director, empowering the members to choose those officers themselves; and, moreover, to appoint counsellors and professors to direct the teaching publicly the learned languages and the liberal arts, with several other concessions concerning the printing and publishing of their works.
"To crown their hopes, a common stock was still wanting for the supply of unavoidable expenses, such as salaries to masters and teachers, charges of the press, etc. On this account they had recourse to a tontine,—a kind of lottery, consisting of annuities for life,—which has met with tolerable success, and will produce a capital sufficient to defray all necessary disbursements. But till this end be compassed, the Academy confines itself to the publishing (by means of artist members) plates engraved after the original paintings of the best masters; and by the help of such members as are men of letters, a journal or periodical pamphlet, consisting of memoirs or essays concerning those arts whose foundation is laid in designing. The first part, by way of specimen, is to come out before the close of this year, and it will be regularly continued every month in the next.
"The chief materials are to be compiled by members settled at Rome, Paris, Dresden, Stuttgard, Copenhagen, Cassel, etc.
"How happy should we think ourselves, sir, if, not only suffering your name to be joined in our lists to those of Mengs, Lelio, Meilens, De Marcii, Wille Schmid, Preissler, etc., you would, like those artists, assist us with your pen, and give us a sketch of the present improved state of the imitative arts in Great Britain! What can be conceived more conducive to form and refine our taste, elevate our ideas, and kindle our emulation, than to be informed by yourself, with your manner of operating in those unparalleled originals, whose striking beauties and glowing expressions we closely study in the printed copies; and to be favoured at least with some hints of those pieces we still expect from your warm and masterly pencil?