The vats prepared by means of pastel have greater durability than those made with the woad; but it is thought that the colors given by the latter are more brilliant than those obtained from the former dye.

Modified Pastel Vat.—This vat is about 7 feet in depth, and 6½ feet in diameter. It is made of copper, and heated by steam. The lid is composed of three segments, each of which is formed of two planks, about an inch thick, and strongly secured together by bolts.

The beating is performed in the usual way, with sticks before the first dipping, after having moistened the cloth in tepid water. This operation is not subsequently repeated.

This vat is prepared with 13 lbs. of indigo, 17½ lbs. of madder, 4½ lbs. of bran, 9 lbs. of lime, and 4½ lbs. of potash. Having filled the vat, we heat it to about 200° Fah., and, as soon as the water is tepid, introduce 441 lbs. of pastel. The liquor becomes of a yellowish-brown color; small bubbles appear upon its surface, ordinarily at the end of four hours if the vat be heated by steam, but not until after eight or twelve hours where heat is applied by the common fire; in the latter case the mixture should be stirred every three hours. When the liquor displays the signs of fermentation, we add the above-mentioned ingredients, and cover the vat over; it is then to be set aside, stirring it every three hours, or oftener if the fermentative action be very rapid. Each time that it is stirred we are to add from 2 to 4 lbs. of lime; if fermentation proceed quickly we even use more, but in the contrary case less. After about eighteen hours, we plunge into the vat three pieces of common cloth, measuring from twenty to twenty-five ells in length each; when they have received six or seven turns, they are to be taken out again. The object of this is to remove the excess of lime from the bath. The vat is then set aside for three hours, when it is to be stirred, and 13 lbs. of indigo, with 2 lbs. of madder, added to it. We now again apply heat to the mixture.

If the vat contains a superabundance of lime, it will be unnecessary to add more; otherwise we throw in a further quantity. During the night it should be covered with a cloth, and a workman left to watch it. It is usually stirred once before the morning; but if it be deficient in lime, it will require this manipulation to be more frequently repeated, and also fresh lime added to it. On the following day the stirring should be continued every three hours, and so on for the next thirty hours, taking care to heat the vat from time to time. On the morning of the fourth day the dyeing may be commenced.

The temperature should be maintained at a pretty uniform point; if it be too hot, the blue takes a red reflection, by reason of the madder contained in the liquid. A vat thus prepared will last three months; we may even work it for double that period, but after the third month it appears to lose some of its indigo.

We maintain the power of the vat by introducing every night 2¼ lbs. of madder. Some indigo is also added twice or three times a week. These additions are made in the evening. After the former, the vat is left at rest for forty-two hours; with the latter only for twenty-four, at the same time observing the precautions already indicated. At the end of three months, or sooner when we wish to stop the working of the vat, we exhaust the indigo; for this purpose we continue to charge it every night for the space of a month with madder, and dip into it white cloths, or more particularly woollen tissues, which become more or less loaded with the indigo. We must continue this plan until these matters take up no further color. The dippings are to be performed twice a day at first, but once only towards the termination. Many dyers make use of this bath for preparing a new vat, but it is better to throw this away and make it up afresh with common water.

Indian Vat.—These vats are of more simple and of more ready construction than the pastel or woad vats. We are to boil in water a quantity of madder and of bran, proportioned to the weight of indigo which we wish to employ. After two hours’ ebullition, we turn into this bath some tartar-lees, which are also to be boiled for an hour and a half or two hours, so as to charge the bath with whatever soluble matter they may contain; after this ebullition the bath should be allowed to cool, and the indigo, which has been previously ground, is then to be introduced. Supposing that we wish to employ 21 lbs. of indigo, the following would be the proportions used in preparing this vat: 41 lbs. tartar-lees, 13 lbs. of madder, and 5 lbs. of bran. These vats are usually mounted in coppers of a conical shape; a small fire should be kept up around them, so as to maintain a moderate and uniform heat. The indigo will usually be found dissolved at the end of twenty-four hours, often even after twelve or fifteen hours. The liquor has a reddish color in the new vats, and a green tint in those which are in a working state. The frothy surface, as well as the brilliant-colored pellicle, becomes manifested in this as in all other preparations of a like kind.

This species of vat has to be renewed much more frequently than the woad and pastel vats, from the indigo being more difficult to dissolve after a certain lapse of time. A moderate heat should be maintained in all these vats.

Potash Vat.—This species of vat is extensively employed at Elbœuf for the dyeing of wool in the flock. It presents in all respects a perfect analogy with the Indian vat; in fact, the action of the tartar-lee in the latter preparation depends entirely on the carbonate of potash which it contains. The ingredients used in the preparation of the potash vat are bran, madder, and the subcarbonate of potash of commerce.