Our meeting with this gentleman added much to the interest of our time in Merida. In the evening, when we had settled the affairs of Yucatan, we made an excursion into Illyria or the interior of Turkey. He was as familiar with the little towns in those countries as with those in Mexico. His knowledge of persons and places, derived from actual observation, was most extensive; in short, his whole life had been a chapter of incidents and adventures; and these were not yet ended. He had a new field opened to him in Yucatan. We parted with him in Merida, and the next that we heard of him was of his being in a situation quite as strange as any he had ever been in before. Yet there was nothing reckless, restless, or unsettled about him; he was perfectly fixed and methodical in all his notions and modes of action; in Wall-street he would be considered a staid, regular, quiet, middle-aged man, and he was systematic enough in his habits to be head director of the Bank of England.

I must not omit to mention, among those whom we were in the habit of seeing every day, another old acquaintance, of the Spanish Hotel in Fulton-Street, Don Vicente Calera, who, at the time of our former visit, was still travelling in the United States. In the mean time he had returned, married, and was again domesticated in his native city.

Under his escort we traversed Merida in every direction, and visited all the public buildings and institutions.

The population of Merida is probably about twenty-three thousand. Two tables are published in the Appendix; but both purport to give the population of the district, and neither that of the city alone. The city stands on a great plain, on a surface of limestone rock, and the temperature and climate are very uniform. During the thirteen days that we were in Merida the thermometer varied but nine degrees; and, according to a table of observations kept for many years by the much-esteemed Cura Villamil, it appears that during the year beginning on the first of September, 1841, which included the whole time that we were in the country, the greatest variation was but twenty-three degrees. By the kindness of the cura, I have been furnished with a copy of this table, from which I extract the observations for the days that we passed in Merida. The entire table is published in the Appendix. The observations were made by a Fahrenheit thermometer kept in the open air and in the shade, and noted at six in the morning, midday, and six in the afternoon.

6 A.M.12 M.6 P.M.
Oct. 30788181
" 31818282
Nov. 1828382
" 2808281
" 3788080
" 4807777
" 5777878
" 6747776
" 7747676
" 8757878
" 9757878
" 10747979
" 11767979

I may remark, however, that in the interior of the country we found a much greater variation than any noted in the table published in the Appendix.

The general aspect of the city is Moorish, as it was built at a time when the Moorish style prevailed in Spanish architecture. The houses are large, generally of stone, and one story in height, with balconies to the windows and large courtyards. In the centre of the city stands the plaza major, a square of about six hundred feet. The whole of the east side is occupied by the cathedral and the bishop's palace. On the west stand the house of the municipality and that of the Doña Joaquina Peon. On the north is the palace of the government, and on the south a building which on our first visit arrested our attention the moment we entered the plaza. It is distinguished by a rich sculptured façade of curious design and workmanship. In it is a stone with this inscription:

Esta obra mando hacerla el
Adelantado D. Francisco de Montejo
Año de MDXLIX.

The Adelantado Don Francisco Montejo caused this to be made
in the year 1549.

The subject represents two knights in armour, with visors, breastplates, and helmets, standing upon the shoulders of crushed naked figures, probably intended to represent the conquering Spaniard trampling upon the Indian. Mr. Catherwood attempted to make a drawing of it, and, to avoid the heat of the sun, went into the plaza at daylight for that purpose; but he was so annoyed by the crowd that he was obliged to give it up. There is reason to believe that it is a combination of Spanish and Indian art. The design is certainly Spanish, but as, at that early period of the conquest, but five years after the foundation of Merida, Spaniards were but few, and each man considered himself a conqueror, probably there were none who practised the mechanic arts. The execution was no doubt the work of Indians, and perhaps the carving was done with their own instruments, and not those furnished them by the Spaniards.