ENTRANCE TO THE TOMBS OF SAKKARA.
These tombs merit the visit of all antiquaries and travelers passing through Egypt; and M. Mariette’s work describing them is looked for with anxiety by all savans. To his kindness and courtesy, which, as well as his hospitality, are well known, the public are indebted for the greater portion of this information. Near to Sakkara, on the site of Memphis, Hekekyan Bey has been making excavations connected with the geological investigations of the Nile valley, instituted at the request of Mr. Leonard Horner and the Geological Society of London, by the viceroy, who has very recently received from the English government, through Mr. Murray, a letter of thanks for his liberal aid to the cause of science.
A view of the great gallery of these tombs, as it appears when lighted up, is given on the next page.
THE SPHINX.
Before passing to the pyramids and ruins of Meroë in Ethiopia, let us notice the celebrated Sphinx, which stands near the great pyramids of Gizeh, and the enormous bulk of which attracts the attention of every traveler. Of all the monuments of Egypt, this, in many respects, is the most mysterious and impressive. It is cut out of the solid rock, and by some is supposed to have been the sepulcher of Amasis. It is more than sixty feet from the ground to the crown of the head; more than a hundred feet around the forehead; and nearly one hundred and fifty feet in length. The nose has been shamefully mutilated. “Though its proportions are colossal, its outline,” says Denon, “is pure and graceful; the expression mild, gracious, and tranquil; the character is African; but the mouth, the lips of which are thick, has a softness and delicacy of execution truly admirable; it seems real life and flesh. Art must have been at a high pitch when this monument was executed; for, if the head is deficient in what is called style, that is, in the straight and bold lines which give expression to the figures under which the Greeks have designated their deities, yet sufficient justice has been rendered to the fine simplicity and character of nature displayed in this figure.”
GREAT GALLERY OF THE TOMBS OF SAKKARA.
Thus far the description of Denon. But Taylor, who says of this monument that “there is nothing like it in the world,” adds, that “those travelers who pronounce its features to be negro in their character, are certainly very hasty in their conclusions. That it is an Egyptian head, is plainly evident, notwithstanding its mutilation. The type, however, is rather fuller and broader than is usual in Egyptian statues.” Who reared it, and for what purpose, and by what mighty enginery, is utterly unknown. But there it stands, “on the verge of the desert whose sands are heaped around it, and in advance of the three vast pyramids that form an immovable phalanx as if to guard it from destruction, looking out in unfathomable silence over the empty plain where once stood Memphis in the pride of the earlier Pharaohs, and where Cambyses battered down that pride with the recklessness of a barbarian invader. Once an altar stood before it, and a dromos of crouching lions and other figures formed a fit approach to the gigantic symbol of Egypt deified. But now the sands drift in perpetually to hide all but the head, whose sublime repose neither the war-club of the Persian, nor tho fury of the sirocco has ever disturbed.”