The wonders of the world

by John Loraine Abbott

The form of the metropolis, and the adjacent country, is most perfectly seen from the gallery at the foot of the lantern, on a bright summer day. The ascent to this gallery is by five hundred and thirty-four steps, of which two hundred and sixty, nearest the bottom, are extremely easy; those above difficult, and in some parts dark and unpleasant. In the ascent to this gallery may be seen the brick cone that supports the lantern, with its ball and cross; the outer dome being turned on the outside of the cone, and the inner dome turned on the inside. The entire contrivance to produce the effect within the church and on the outside, intended by the architect, is extremely fine, even marvelous. From the pavement of the church, the interior appears one uninterrupted dome to the upper extremity; but it consists, in fact, of two parts, the lower and principal dome having a large circular aperture at its top, through which is seen a small dome, which appears to be part of the great and lower dome, although entirely separated from it, being turned also within the cone, though considerably above it.

FIRST CHURCH IN ENGLAND.

THE FIRST CHURCH IN ENGLAND.

Before passing to speak of Westminster Abbey, which next to St. Paul’s is the great ecclesiastical edifice of London, it may be interesting to go back to the earliest church-building in Britain, and notice the kind of edifices in which our remote ancestors assembled for divine worship. One of these buildings is represented in the cut below; as to which only a few words of explanation will be needed. About the close of the sixth century, it is said, the pope sent Austin, with some forty missionaries, to convert Britain to popery. Many of the ancient Britons, however, shut themselves up in the fastnesses of Wales, and refused to be either persuaded or driven to embrace the new faith which he proclaimed. Still Austin went on with his work, and the more efficiently to fulfill it, erected rude edifices, in which to gather the people, to teach them, and train them to the forms of worship. The first building erected under his auspices, was at Glastonbury, in the county of Somerset. The view given of it above is from Somme’s “Britannia Antiqua Illustrata;” and the following particulars about the building itself are taken mainly from the “Chronicles of William of Malmesbury.” Its length was sixty feet, and its breadth twenty-six. Its walls were made of twigs winded and twisted together, “after the ancient custom that kings’ palaces were used to be built.” “Nay, castles themselves in those daies were formed of the same materials, and weaved together.” Its roof was of straw, “or, after the nature of the soil in that place, of hay or rushes.” The top of the door reached to the roof; it had three windows on the south side, and one on the east, over the altar, or communion-table. Such was the rude and humble building in which Austin first preached to those that he was able to gather to hear the gospel from his lips.

WESTMINSTER ABBEY.

This interesting edifice derives its name of Westminster Abbey from its situation in the western part of the metropolis, and its original destination as the church of a monastery. The present church was built by Henry III. and his successors, with the exception of the two towers at the western entrance, which are the work of Sir Christopher Wren. The length of the church is three hundred and sixty feet; the breadth of the nave seventy-two feet; and the cross aisle one hundred and ninety-five feet. The roof of the nave and of the cross aisle is supported by two rows of arches, one above the other, each of the pillars of which is a union of one ponderous round pillar, and four of similar form, but extremely slender. These aisles being extremely lofty, and one of the small pillars continued, throughout, from the base to the roof, produce an effect uncommonly grand and impressive. The choir is one of the most beautiful in Europe. It is divided from the western part of the great aisle by a pair of noble iron gates, and is terminated at the east by an elegant altar of white marble. The altar is inclosed with a very fine balustrade, and in the center of its floor is a large square of curious mosaic work, of porphyry, and other stones of various colors. In this choir, near the altar, is performed the ceremony of crowning the kings and queens of England.

At the southern extremity of the cross aisle are erected monuments to the memory of several of the most eminent poets. This interesting spot is called the poet’s corner; and never could place be named with more propriety; for here are to be found the names of Chaucer, Spenser, Shakspeare, Ben Jonson, Milton, Dryden, Butler, Thomson, Gay, Goldsmith, Addison, Johnson, &c. Here also, as if this spot was dedicated to all genius of the highest rank, are the tombs of Handel, Chambers, and Garrick.

The curiosities of Westminster Abbey consist chiefly of its highly interesting chapels, at the eastern end of the church, with their tombs. Immediately behind the altar stands a chapel dedicated to Edward the Confessor, upon an elevated floor, to which there is a flight of steps on the northern side. The shrine of the Confessor, which stands in the center, was erected by Henry III., and was curiously ornamented with mosaic work of colored stones, which have been picked away in every part within reach. Within the shrine is a chest, containing the ashes of the Confessor. The frieze representing his history from his birth to his death, put up in the time of Henry III., is highly curious, and deserves the study and attention of every lover of antiquity. The tomb of Henry III. is in this chapel: it has been extremely splendid, but is now mutilated. The table on which lies the king’s effigy in brass, is supported by four twisted pillars, enameled with gilt. This tomb, which is a fine specimen of its kind, is almost entire on the side next the area. It likewise contains the tombs of Edward I. and his queen, Eleanor; of Edward III. and Queen Philippa; of Richard II. and his queen; of Margaret, daughter of King Edward IV.; of King Henry V.; and of Elizabeth, daughter of King Henry VII.

The grand monument of Henry V. is inclosed by an iron gate. The great arch over the tomb is full of ribs and panels, and the headless figure of Henry still remains: the head was of solid silver, and was stolen during the civil wars. There was a chantry directly over the tomb, which had an altarpiece of fine carved work. The armor of Henry once hung round this chantry; his helmet yet remains on the bar, and the very saddle which he rode at the battle of Agincourt, stripped of everything which composed it, except the wood and iron, hangs on the right.