I said she seemed to mean the words of the song she had sung,
‘I wish I were a bird, and I would flee away.’
and I asked if she could read, and would like a nice book. “Oh yes, I should, and very much.” Now there was a stall set up in the Exhibition by “The Pure Literature Society,” from 11, Buckingham Street, Adelphi, London, which selects about three thousand books from various publishers, but publishes none itself; gets no profits on its sales except thanks and satisfaction; so that its catalogue is likely to contain what it may wish should be read. [117] Here we selected a very interesting volume with many illustrations, suitable for the girl’s reading; and soon at the café again, I bowed to the senior fiddler, who nodded assent, and then the poor pale lonely girl had the pleasant book as a remembrance of home placed in her hands, and a promise given her that a good Christian lady would call that evening.
So perhaps our catalogue of nationalities at the Exhibition ought to be somewhat abridged, and not wholly founded upon the variety it presents to the eye; especially as in London, too, we may remember Punch’s crossing-sweeper, who, being dressed in Hindoo garb, begged from a passer-by with, “Take pity on the poor Irishman—Injun, I mane.”
On the Sunday the little dingey had its usual cargo, and the bargemen on the Seine, in the heart of Paris, were just as glad as others elsewhere to get something to read.
Among the curiosities exhibited in the English Naval Architecture building here was a very beautiful model of the Rob Roy canoe, presented to its owner by the builders, Messrs. Searle, who have already built some hundreds of such canoes on the principles first applied in that above mentioned; and to me it was even more gratifying to find in the Admiralty Barge, the Rob Roy canoe itself, with sails set and the flag of the Royal Canoe Club flying, and with maps of the paddling voyages through Europe.
Very speedily I launched my old travelling companion, and had a paddle up the river by moonlight, and it was surprising to find that scarcely any water leaked in, though the other boats which were hung up in the barge were found to be a good deal injured by the strong draught of wind rushing through the arch of the bridge, and then under the open sides of the shed, covered only by a roof. But then those other boats were new, and perhaps some were not built of such well-seasoned wood [119] as Messrs. Searle employ beyond all other boat-builders I know; whereas the weatherbeaten Rob Roy had been too long inured to wet and dry, sun and wind, heat and cold, to be affected with the rheumatism and ague which shook even the man-of-war’s boats on the barge.
The sketch (see next page), represents a man watering a horse, and who swum it out to my boat to get a paper, and then carefully placed the gift in a dry place ashore until he should be able to use it when he was dressed again.
My life at the Exhibition soon settled into a somewhat regular one. Seeing, seeing, seeing all day, and then returning to my quiet bed on the river at night, with a ‘Times’ newspaper to study, and books and letters. It was a variety to launch the dingey, and scull along the quays and visit the other yachts, all of them most hospitable to the Rob Roy. I ventured even to go alongside the Turkish vessel, the Dahabeeh, from the Nile, full of specimen “fellahs,” all hidden by a curtain of grey calico, except to those who had paid their franc for general entrance. We never observed any visitor actually on board this vessel; indeed, it required a bold inquirer to face those solemn Africans’ gaze, as they sat cross-legged on deck, and ate their soup from a universal bowl, or calmly inspired from their chibouques, and blew out a formal and composed puff of the bluest tobacco-smoke. It did, indeed, soon forcibly recall the feelings of Egyptian travel to see these men;—the red fiery sunsets, the palm-trees, and crocodiles, and obelisks, and Indian corn, and, over all, the thrumming, not unmusical sound of the tarabookrah—earthen drum—with the wailing melodies in a minor key of the “Chaldæans whose cry is in the ships.” [121]
