Quarrels and sickness of mind or body are almost unknown amongst them. The care and cure of the person is a portion of the art of life as it is taught in the schools.

An account of this remarkable people would not be complete without some reference to their religion; but owing to their reticence on sacred subjects, and the shortness of our visit, I was unable to learn much about it. They believe, however, in a Supreme Being, whom they only name by epithets such as "The Giver" or "The Divine Artist." They also believe in the immortality of the soul. One of their proverbs, "Life is good, and good is life," implies that goodness means life, and badness death. They hold that every thought, word, and deed, is by the nature of things its own reward or punishment, here or hereafter. Their ideals of childlike innocence, and the reign of love, seem to be essentially Christian. Their solicitude and kindness extends to all that lives and suffers, and they regard the world around them as a divine work which they are to reverence and perfect.

Our visit fell during a great religious festival and holiday, which they keep once a year, and by the courtesy of Dinus, or his son, we witnessed many of their sacred concerts, dances, games, and other celebrations. Of these, however, I shall only describe the principal ceremony, which is called "Plucking the Flower," and appears to symbolise the passage of the soul into a higher life.

CHAPTER IX.

THE FLOWER OF THE SOUL.

Early on the chief day of the festival Otāré came and took us to see the mystical rite of cutting the "Flower of the Soul."

The morning was fine, and the clear waters of the lake were bright with boats filled with joyous parties bound like ourselves for the Holy Island.

Landing at a noble quay of red granite, we climbed the steep and shaggy sides of the mountain by a sacred and winding avenue, bordered with blooming trees and statuary. Most of the figures were exquisitely carved in a white wood or stone, having a pearly sheen, and represented the former priestesses of the Temple, or illustrated the animating spirit of the cult.

On gaining the summit we found ourselves at the brim of a spacious hollow or basin, which in past ages must have been the crater of the volcanic peak. The grassy slopes of the basin were laid out in flower gardens and terraces of coloured marbles, shaded with sombre trees, and ornamented with sculpture. In the bottom lay an oval sheet of water a mile long or more, and from the midst of it, towards the near end, a beautiful islet, crowned by a magnificent temple, rose like a mirage to the view, and seemed to float on its glassy bosom.