The Story of Electricity

by John Munro

The gloom of January, 1896, with its war and rumours of war, was, at all events, relieved by a single bright spot. Electricity has surprised the world with a new marvel, which confirms her title to be regarded as the most miraculous of all the sciences. Within the past twenty years she has given us the telephone of Bell, enabling London to speak with Paris, and Chicago with New York; the microphone of Hughes, which makes the tread of a fly sound like the "tramp of an elephant," as Lord Kelvin has said; the phonograph of Edison, in which we can hear again the voices of the dead; the electric light which glows without air and underwater, electric heat without fire, electric power without fuel, and a great deal more beside. To these triumphs we must now add a means of photographing unseen objects, such as the bony skeletons in the living body, and so revealing the invisible.

Whether it be that the press and general public are growing more enlightened in matters of science, or that Professor Rontgen's discovery appeals in a peculiar way to the popular imagination, it has certainly evoked a livelier and more sudden interest than either the telephone, microphone, or phonograph. I was present when Lord Kelvin first announced the invention of the telephone to a British audience, and showed the instrument itself, but the intelligence was received so apathetically that I suspect its importance was hardly realised. It fell to my own lot, a few years afterwards, to publish the first account of the phonograph in this country, and I remember that, between incredulity on the one hand, and perhaps lack of scientific interest on the other, a considerable time elapsed before the public at large were really impressed by the invention. Perhaps the uncanny and mysterious results of Rontgen's discovery, which seem to link it with the "black arts," have something to do with the quickness of its reception by all manner of people.

Like most, if not all, discoveries and inventions, it is the outcome of work already done by other men. In the early days of electricity it was found that when an electric spark from a frictional machine was sent through a glass bulb from which the air had been sucked by an air pump, a cloudy light filled the bulb, which was therefore called an "electric egg". Hittorf and others improved on this effect by employing the spark from an induction coil and large tubes, highly exhausted of air, or containing a rare infusion of other gases, such as hydrogen. By this means beautiful glows of various colours, resembling the tender hues of the tropical sky, or the fleeting tints of the aurora borealis, were produced, and have become familiar to us in the well-known Geissler tubes.

Crookes, the celebrated English chemist, went still further, and by exhausting the bulbs with an improved Sprengel air-pump, obtained an extremely high vacuum, which gave remarkable effects (page 120). The diffused glow or cloudy light of the tube now shrank into a single stream, which joined the sparking points inserted through the ends of the tube as with a luminous thread A magnet held near the tube bent the streamer from its course; and there was a dark space or gap in it near the negative point or cathode, from which proceeded invisible rays, having the property of impressing a photographic plate, and of rendering matter in general on which they impinged phosphorescent, and, in course of time, red-hot. Where they strike on the glass of the tube it is seen to glow with a green or bluish phosphorescence, and it will ultimately soften with heat.

These are the famous "cathode rays" of which we have recently heard so much. Apparently they cannot be produced except in a very high vacuum, where the pressure of the air is about 1-100th millionth of an atmosphere, or that which it is some 90 or 100 miles above the earth. Mr Crookes regards them as a stream of airy particles electrified by contact with the cathode or negative discharging point, and repelled from it in straight lines. The rarity of the air in the tube enables these particles to keep their line without being jostled by the other particles of air in the tube. A molecular bombardment from the cathode is, in his opinion, going on, and when the shots, that is to say, the molecules of air, strike the wall of the tube, or any other body within the tube, the shock gives rise to phosphorescence or fluorescence and to heat. This, in brief, is the celebrated hypothesis of "radiant matter," which has been supported in the United Kingdom by champions such as Lord Kelvin, Sir Gabriel Stokes, and Professor Fitzgerald, but questioned abroad by Goldstem, Jaumann, Wiedemann, Ebert, and others.

Lenard, a young Hungarian, pupil of the illustrious Heinrich Hertz, was the first to inflict a serious blow on the hypothesis, by showing that the cathode rays could exist outside the tube in air at ordinary pressure. Hertz had found that a thin foil of aluminium was penetrated by the rays, and Lenard made a tube having a "window" of aluminium, through which the rays darted into the open air. Their path could be traced by the bluish phosphorescence which they excited in the air, and he succeeded in getting them to penetrate a thin metal box and take a photograph inside it. But if the rays are a stream of radiant matter which can only exist in a high vacuum, how can they survive in air at ordinary pressure? Lenard's experiments certainly favour the hypothesis of their being waves in the luminiferous ether.

Professor Rontgen, of Wirzburg, profiting by Lenard's results, accidentally discovered that the rays coming from a Crookes tube, through the glass itself, could photograph the bones in the living hand, coins inside a purse, and other objects covered up or hid in the dark. Some bodies, such as flesh, paper, wood, ebonite, or vulcanised fibre, thin sheets of metal, and so on, are more or less transparent, and others, such as bones, carbon, quartz, thick plates of metal, are more or less opaque to the rays. The human hand, for example, consisting of flesh and bones, allows the rays to pass easily through the flesh, but not through the bones. Consequently, when it is interposed between the rays and a photographic plate, the skeleton inside is photographed on the plate. A lead pencil photographed in this way shows only the black lead, and a razor with a horn handle only the blade.

Thanks to the courtesy of Mr. A. A. Campbell Swinton, of the firm of Swinton & Stanton, the well-known electrical engineers, of Victoria Street, Westminster, a skilful experimentalist, who was the first to turn to the subject in England, I have witnessed the taking of these "shadow photographs," as they are called, somewhat erroneously, for "radiographs" or "cryptographs" would be a better word, and shall briefly describe his method. Rontgen employs an induction coil insulated in oil to excite the Crookes tube and yield the rays, but Mr. Swinton uses a "high frequency current," obtained from apparatus similar to that of Tesla, and shown in figure 100, namely, a high frequency induction coil insulated by means of oil and excited by the continuous discharge of twelve half-gallon Leyden jars charged by an alternating current at a pressure of 20,000 volts produced by an ordinary large induction coil sparking across its high pressure terminals.

A vacuum bulb connected between the discharge terminals of the high frequency coil, as shown in figure 101, was illuminated with a pink glow, which streamed from the negative to the positive pole—that is to say, the cathode to the anode, and the glass became luminous with bluish phosphorescence and greenish fluorescence. Immediately under the bulb was placed my naked hand resting on a photographic slide containing a sensitive bromide plate covered with a plate of vulcanised fibre. An exposure of five or ten minutes is sufficient to give a good picture of the bones, as will be seen from the frontispiece.

The term "shadow" photograph requires a word of explanation. The bones do not appear as flat shadows, but rounded like solid bodies, as though the active rays passed through their substance. According to Rontgen, these "x" rays, as he calls them, are not true cathode rays, partly because they are not deflected by a magnet, but cathode rays transformed by the glass of the tube; and they are probably not ultra-violet rays, because they are not refracted by water or reflected from surfaces. He thinks they are the missing "longitudinal" rays of light whose existence has been conjectured by Lord Kelvin and others—that is to say, waves in which the ether sways to and fro along the direction of the ray, as in the case of sound vibrations, and not from side to side across it as in ordinary light.