Miroir Photo, Paris
MONSIEUR CAILLAUX LEAVING THE LAW COURTS.
(The man on the right is a detective.)
IV
MONSIEUR CAILLAUX’S EXAMINATION
The principal witness for the defence of Madame Caillaux will be her husband, and as is usual in France where every witness is allowed and is expected to tell the examining magistrate who collects evidence before the trial everything he knows which bears in any way upon the case, Monsieur Caillaux has gone at length into his wife’s motives for the crime, and has described very fully the happenings on March 16, 1914, when the murder was committed. He was examined by Monsieur Boucard in his room at the Palace of Justice on April 7 and 8, immediately after the evidence of the President of the Republic had been taken. Monsieur Joseph Caillaux is the son of Monsieur Eugène Alexandre Caillaux, who was Inspector of Finance and Minister of State. He has been married twice.
His first wife was Madame Gueydan, who was the divorced wife of a Monsieur Jules Dupré. Monsieur Caillaux married her in 1906. Monsieur Caillaux and his first wife did not live very happily, and their relations became more than strained in July 1909, after the fall of the Clemenceau Cabinet, in which Monsieur Caillaux was Minister of Finance. In September of that year Monsieur Caillaux and his wife were at Mamers. One night, Monsieur Caillaux declared to the examining magistrate, a packet of letters disappeared from a drawer in his writing-table. Two of these letters were letters written by Monsieur Caillaux to Madame Léo Claretie (née Raynouard). Madame Claretie was at that time (September 1909) already divorced from her husband. As we know, she became Monsieur Caillaux’s wife in 1911. These two letters, which disappeared from Monsieur Caillaux’s writing-table are the two letters to which reference is made at the end of the last chapter, letters which Monsieur and Madame Caillaux believed to be in the possession of Monsieur Calmette. The letters were of a most intimate character. One, a very short one, was written on letter paper with the heading of the Conseil Général de la Sarthe. The second, written on paper of the Chamber of Deputies, was a long sixteen-page letter containing, Monsieur Caillaux said, the story for the last few years of all the intimacies of his life. “In this letter,” Monsieur Caillaux said, “I told my future wife, at length, of the reasons, many of which were based on political grounds, which prevented me from freeing myself immediately from my wife (Madame Gueydan) and from marrying her.” Monsieur Caillaux was much upset at the discovery that Madame Gueydan-Caillaux had possession of these letters, and for their restitution he offered his wife either a complete reconciliation or a divorce. Madame Gueydan-Caillaux accepted the reconciliation with her husband, and on November 5, 1909, the parties met in the presence of Monsieur Privat-Deschanel, the secretary of the Ministry of Finance, and an intimate friend of Monsieur Caillaux’s, at Monsieur Caillaux’s house, 12 Rue Pierre Charron. In Monsieur Privat-Deschanel’s presence the letters were solemnly burned, together with others bearing on the disagreement between husband and wife. Before they were burned Madame Gueydan-Caillaux gave her word of honour to her husband and to Monsieur Privat-Deschanel that she had kept no photograph and no copy of the letters. Their destruction was followed by a complete reconciliation. Monsieur Caillaux declared that as far as he was concerned the reconciliation was sincere, that he gave up all thought of Madame Raynouard-Claretie, his present wife, and he asked Monsieur Boucard to call on Monsieur Privat-Deschanel to bear witness to this. Some months later Monsieur Caillaux found, he says, that it was quite impossible for him to remain friends with his wife, and at the beginning of July 1910 he instituted divorce proceedings. The divorce was pronounced on March 9, 1911 by agreement between the two parties. Very soon after, in November of the same year, Monsieur Caillaux was married in Paris to the divorced wife of Monsieur Léo Claretie, who is now in prison for the murder of Monsieur Gaston Calmette. As a curious sidelight on the mixture of intimate home details and of politics in the Caillaux drama it is worth while remembering here, that in her evidence to the examining magistrate Madame Gueydan, Monsieur Caillaux’s first wife, stated the reasons, as she understood them, for this change of mind on the part of Monsieur Caillaux. She declared that in November 1909 Monsieur Caillaux, being a candidate for re-election in the Sarthe District feared that her possession of the letters and her antagonism to himself might make trouble for him during the electoral campaign. In April 1910 the election was over and he was elected, he feared her no longer, wanted to marry his present wife, and instituted divorce proceedings in consequence in July, forcing her to allow herself to be divorced by the sheer deadweight of his influence, which if exercised against her would, she knew, have prohibited her from obtaining the services of the best counsel and have reduced her to absolute penury. In October 1911 when Monsieur Caillaux was Prime Minister, his chef de cabinet, Monsieur Desclaux, told him one day that a journalist, Monsieur Vervoort, who was on the Gil Blas, had been offered by Madame Gueydan, his former wife, the right to publish certain letters. The details which Monsieur Vervoort gave about these letters, referred exactly, Monsieur Caillaux said, to the two letters which his former wife had burned in his presence, and to a letter which appeared in the Figaro of March 13, 1914, in facsimile. This letter was written by Monsieur Caillaux to his first wife, Madame Gueydan, before he married her. Like the others it was a love letter with long passages about politics in it. It was written thirteen years ago, but it contained Monsieur Caillaux’s statement: “I have crushed the income-tax while appearing to defend it.” (J’ai écrasé l’impôt sur le revenu en ayant l’air de le défendre.) It is this letter portions of which the Figaro published in facsimile. It was written in Monsieur Caillaux’s well-known handwriting, and he had signed it “Ton Jo”. The intimacy of the “Ton” was of course in itself something of an outrage when it appeared in a newspaper, for the letter was written to another man’s wife.