The trumpet of Castile had drowned the misbelievers' horn,
And the last of all the Lara's line a Gothic spear had borne.'
"With that it chanced a man drew near to lead him from the place,
Old Lara stooped him down once more, and kissed Gonzalo's face;
But ere the man observed him, or could his gesture bar,
Sudden he from his side had grasped that Moslem's scymetar."
Before the count was overpowered he had killed thirteen of the Moors, and then he begged that he might be put to death; but the kalif, on learning all of the details of the treachery of Velasquez, restored the count to liberty and sent him back to his wife in the castle at Salas. The fate of the revengeful Doña Lambra is not recorded, but it is to be hoped that she was made to atone in some way for all her savage rage.
About Ximena and her far-famed husband Don Rodrigo, widely known as the Cid, many marvellous tales have been told, and it is a matter for regret that so many of them are purely legendary. According to one of the traditions, which was followed by the French dramatic poet Pierre Corneille when he wrote his famous play, Le Cid, in 1636, Ximena is given a much more prominent place in the story than that accorded to her in history. According to this version, Don Diego, father of Don Rodrigo, is given a mortal insult by the braggart Don Gomez, who is the father of Ximena. Young Don Rodrigo, eager to avenge the slight put upon his aged father, provokes Don Gomez to a duel and kills him. Ximena, who has loved Don Rodrigo, overcome by these tragic events, is at a loss to know what to do, and in her heart there is a fierce struggle between her love for her lover and her respect for her father. This distressing situation is relieved somewhat by the thought that Don Rodrigo, in killing her father, has but avenged his own; but still her Spanish nature cries for redress, and she appeals to King Fernan of Castile, at whose court all these things have taken place. Believing her love for Don Rodrigo to be stronger than her hatred, the king suddenly announces the death of Rodrigo, which so surprises Ximena that she discloses her deep affection, which she had made an attempt to conceal; whereat he announces his intention to unite the two lovers as soon as Rodrigo should have given further proof of his valor.
As a matter of fact, the Cid was a free-lance of undoubted bravery and courage, who fought now with and now against the Moors; but in spite of the fact that he was not always true to the same allegiance, he is essentially a popular hero, as he represents a spirit of boldness and independence which in itself is enough to endear him to the minds of the people. His killing of Don Gomez in the manner described is extremely doubtful, and history affords no details as to the manner of his wooing or his wedding. But Ximena was his wife, shared in many of his hardships, and at his death, in 1099, ruled in his stead for three years at Valencia. Finally, much harried by the Moslems, who were ever growing bolder, Ximena withdrew to Burgos, taking with her the body of the Cid, embalmed in precious spices, and borne, as in the days of his vigor, on the back of his great warhorse Babieca. The Cid was buried in the monastery of Cardena, near Burgos; and there the brave Doña Ximena was laid by his side at the time of her death, in 1104. Although a number of fanciful stories have been told about the daughters of Ximena and the doughty Cid, the fact remains that they had two daughters, who married into some of the noblest houses of all Spain. The elder, Christina, became the wife of Ramiro, Infante of Navarre; while the younger, Maria, married Count Ramon Berenguer III. of Barcelona. After a long series of intermarriages, to quote from Burke, in a double stream, through the royal houses of Spain and of France, the blood of the Cid is found to flow in the veins of his majesty Alfonso XIII., the reigning King of Spain.
The religious side of Spanish life in the eleventh century, so far as Christianity is concerned, centres about a woman, Constance of Burgundy, the wife of King Alfonso VI. of Castile. This was the period when the monk Hildebrand, become Pope Gregory VII., was endeavoring to unify the power of the Roman Church and strengthen the authority of the papacy; and as he had a devout woman, the Countess Matilda of Tuscany, to aid him in Italy, so he had as his firm ally in Spain the pious Queen Constance, daughter of King Robert of France. Constance was not a Spanish woman, but the influence she exerted in Spain had such a far-reaching effect that she cannot be overlooked in any category such as the present. With Constance to Spain came the monk Bernard of Cluny, a pale ascetic, who had just been leading a crusade against the corruption existing in the Church itself, and whose whole life had been devoted to serious things. The French court had been given over to works of piety, the Church had great authority, and the clergy were held in high esteem. When the French princess left this devout atmosphere to go to sunny Spain, she had grave misgivings as to the frivolous and irreverent character of her new subjects, and deemed it wise to take with her as a friend and adviser the stern Bernard. The worst fears of these two zealous Christians were more than realized. The king had friendly intercourse with Moorish vassals, and Moslem and Christian lived side by side in perfect harmony! That all this should be and at a time when the same Moslem brood was defiling the place of the Holy Sepulchre in far-off Palestine, and when the crusading spirit filled the air, was almost beyond belief, and Constance and the monk were greatly scandalized thereat. Totally without that toleration which comes with experience, they could conceive of no religion as a good religion which did not meet the rigid requirements of their own belief; and they planned at once a Spanish crusade which was intended to improve the general deplorable condition of public morals and at the same time to modify, in a most radical way, the liturgy of the Spanish Church, which was far too lax in points of discipline. Their conduct at the time of the surrender of Toledo, in 1074, is a most excellent example of the eager, yet thoughtless, way in which they went about their new work. When King Alfonso, after an interval of more than three hundred years, regained possession of the ancient capital of the Goths, the city from which the luckless Rodrigo, the last of the Goths, was driven, Toledo was surrendered on the express condition that the Moors should not be disturbed in their religious beliefs and that they were to retain the use of their mosques. Such terms with such an enemy appeared monstrous to the queen. Especially did it seem a sin before God that the principal mosque, the Alfaqui, the noblest building in all that fair city which lay stretched out with many a gilded dome and minaret upon its seven hills above the Tagus, should still be used for the worship of a pagan people; and Constance and Bernard plotted together, piously, for the triumph of the true religion. The first time that the king left the city, Bernard, now Archbishop of Toledo, acting under the authority of Queen Constance, went to the Alfaqui at the head of a company of monks summoned from his monastery at Sahagun, opened the doors, set up crosses, erected altars, hung bells, and then publicly summoned the people to mass on the following morning. The king, upon his return, was furious at this intolerant act, and was moved to threaten punishment; but the Moors, satisfied by his indignation, displayed a real spirit of toleration in asking for the pardon of the monks.