Realization, in art, iii. 16; gradually hardened feeling, iv. 47-51; not the deception of the senses, iii. 16; Dante’s, iii. 18. See Pictures.
Refinement, meaning of term, ii. 81; of spiritual and practical minds, v. [282]-284; unconnected with toil undesirable, v. [328].
Reflection, on distant water, i. 355 et seq.; effect of water upon, i. 329-331; to what extent visible from above, i. 336.
Reformation, strength of, v. [249]; arrest of, v. [250]; effect of, on art, iii. 55, v. [251].
Relation, ideas of, i. 13, 29, 31.
Religion, of the Greeks, v. [208]-213; of Venetian painters, v. [220]; of London and Venice, v. [291]; English, v. [343].
Renaissance, painting of mythology, iii. 62; art, its sin and its Nemesis, iii. 254; sensuality, iii. 63; builders, v. [176]; spirit of, quotation from Browning, iv. 368.
Repose, a test of greatness in art, ii. 65-68, 108, 222; characteristic of the eternal mind, ii. 65; want of, in the Laocoon, ii. 69; in scenery, i. 272; Turner’s “Rietz” (plate), v. [164], [168]; instance of, in Michael Angelo’s “Plague of Serpents,” ii. 69 (note); how consistent with ideal organic form, ii. 108.
Reserve, of a gentleman (sensibility habitual), v. [269].