Rest, lines of, in mountains, iv. 276, 310, 312.
Revelation, v. [199].
Reverence, for fair scenery, iii. 258; false ideas of (Sunday religion), iii. 142; for mountains, iii. 230; inculcated by science, iii. 256; Venetian, the Madonna in the house, v. [224].
Reynolds, on the grand style of painting, iii. 23; on the influence of beauty, iii. 23.
Rocks, iv. 99-134; formation of, iv. 113; division of, iv. 99, 102, 157; curvature of, iv. 150, 154, 213, i. 295; color of, iv. 107, 121, 136, 123, 125, 129, i. 169; cleavages of, iv. 391; great truths taught by, iv. 102; aspect of, i. 295, 309, iv. 101, 108, 120, 128; compound crystalline, iv. 101, 105; compact crystalline, characteristics of, iv. 107, 102, 114, 159, 205; slaty coherent, characteristics of, iv. 122, 205, 251; compact coherent, iv. 128, 159; junction of slaty and compact crystalline, iv. 114, 173, 202; undulation of, iv. 116, 118, 150; material uses of, iv. 119, 127; effect of weather upon, iv. 104; effect of water on, iv. 213; power of, in supporting vegetation, iv. 125, 130; varied vegetation and color of, i. 169; contortion of, iv. 116, 150, 152, 157; débris of, iv. 119; lamination of, iv. 113, 127, i. 291; limestone, iv. 130, 144, 209, 250, 258; sandstone, iv. 132; light and shade of, i. 311; overhanging of, iv. 120, 254, 257; mediæval landscape, iii. 229-247; early painters’ drawing of, iii. 239; Dante’s dislike of, iii. 230; Dante’s description of, iii. 231, 236; Homer’s description of, iii. 232, 239; classical ideal of, iii. 186; Scott’s love of, iii. 242, 275. See Stones.
Romanism, modern, effect of on national temper, iv. 333, and Puritanism, iii. 252, 253.
Saussure, De, description of curved cleavage by, iv. 395; quotation from, iv. 294; on structure of mountain ranges, iv. 172; love of Alps, iv. 393.
Scenery, interest of, rooted in human emotion, v. [194]; associations connected with, iii. 290, 292; classical, Claude and Poussin, v. [244]; Highland, v. [206]; two aspects of, bright and dark, v. [206]; of Venice, effects of, v. [216]; of Nuremberg, effect of, v. [233]; of Yorkshire hills, effect of, i. 126, v. [293]; Swiss influence of, iv. 337-376, v. [84]-87; of the Loire, v. [165]; effect of mountains on, iv. 343-346. See Nature, Pictures.
Scent, artificial, opposed to natural, ii. 15; different in the same flower, i. 67-68.
Science, subservient to life, ii. 8; natural, relation to painting, iii. 305; interest in, iii. 256; inculcates reverence, iii. 256; every step in, adds to its practical applicabilities, ii. 9; use and danger of in relation to enjoyment of nature, iii. 306; gives the essence, art the aspects, of things, iii. 306; may mislead as to aspects, iv. 391.