124. Best works of inferior artists to be secured.
125. All the works of a painter, however incongruous their subjects, to be exhibited in juxtaposition.
126. Love of detail in pictures among workmen.—Great refinement of their perceptions.
127. Accessibility of new National Gallery.
128. There should be two galleries—one containing gems, placed in as safe a position as possible; the other containing works good, but inferior to the highest, and located solely with a view to accessibility.
129. Impossible to protect sculpture from London atmosphere.
130. Inferior gallery would be useful as an instructor.—In this respect superior to the great gallery.
131-32. Copies of paintings much to be deprecated.
133. Good collection of casts a valuable addition to a national gallery.—Also architectural fragments and illustrations.—And everything which involves art.
134. If it is impossible to combine works of art of all ages, the Pagan and Christian division is the best.—"Christian" art including all art subsequent to the birth of Christ.