1. Supposing that, in early life, one had the power of living to one's fancy,—and why should we not, if the said fancy were restrained by the knowledge of the two great laws concerning our nature, that happiness is increased, not by the enlargement of the possessions, but of the heart; and days lengthened, not by the crowding of emotions, but the economy of them?—if thus taught, we had, I repeat, the ordering of our house and estate in our own hands, I believe no manner of temperance in pleasure would be better rewarded than that of making our gardens gay only with common flowers; and leaving those which needed care for their transplanted life to be found in their native places when we travelled. So long as I had crocus and daisy in the spring, roses in the summer, and hollyhocks and pinks in the autumn, I used to be myself independent of farther horticulture,—and it is only now that I am old, and since pleasant travelling has become impossible to me, that I am thankful to have the white narcissus in my borders, instead of waiting to walk through the fragrance of the meadows of Clarens; and pleased to see the milkwort blue on my scythe-mown

banks, since I cannot gather it any more on the rocks of the Vosges, or in the divine glens of Jura.

2. Among the losses, all the more fatal in being unfelt, brought upon us by the fury and vulgarity of modern life, I count for one of the saddest, the loss of the wish to gather a flower in travelling. The other day,—whether indeed a sign of some dawning of doubt and remorse in the public mind, as to the perfect jubilee of railroad journey, or merely a piece of the common daily flattery on which the power of the British press first depends, I cannot judge;—but, for one or other of such motives, I saw lately in some illustrated paper, a pictorial comparison of old-fashioned and modern travel, representing, as the type of things passed away, the outside passengers of the mail shrinking into huddled and silent distress from the swirl of a winter snowstorm; and for type of the present Elysian dispensation, the inside of a first-class saloon carriage, with a beautiful young lady in the last pattern of Parisian travelling dress, conversing, Daily news in hand, with a young officer—her fortunate vis-à-vis—on the subject of our military successes in Afghanistan and Zululand.[[24]]

3. I will not, in presenting—it must not be called the other side, but the supplementary, and wilfully omitted, facts, of this ideal,—oppose, as I fairly might, the discomforts

of a modern cheap excursion train, to the chariot-and-four, with outriders and courier, of ancient noblesse. I will compare only the actual facts, in the former and in latter years, of my own journey from Paris to Geneva. As matters are now arranged, I find myself, at half past eight in the evening, waiting in a confused crowd with which I am presently to contend for a seat, in the dim light and cigar-stench of the great station of the Lyons line. Making slow way through the hostilities of the platform, in partly real, partly weak politeness, as may be, I find the corner seats of course already full of prohibitory cloaks and umbrellas; but manage to get a middle back one; the net overhead is already surcharged with a bulging extra portmanteau, so that I squeeze my desk as well as I can between my legs, and arrange what wraps I have about my knees and shoulders. Follow a couple of hours of simple patience, with nothing to entertain one's thoughts but the steady roar of the line under the wheels, the blinking and dripping of the oil lantern, and the more or less ungainly wretchedness, and variously sullen compromises and encroachments of posture, among the five other passengers preparing themselves for sleep: the last arrangement for the night being to shut up both windows, in order to effect, with our six breaths, a salutary modification of the night air.

4. The banging and bumping of the carriages over the turn-tables wakes me up as I am beginning to doze, at Fontainebleau, and again at Sens; and the trilling and

thrilling of the little telegraph bell establishes itself in my ears, and stays there, trilling me at last into a shivering, suspicious sort of sleep, which, with a few vaguely fretful shrugs and fidgets, carries me as far as Tonnerre, where the 'quinze minutes d'arret' revolutionize everything; and I get a turn or two on the platform, and perhaps a glimpse of the stars, with promise of a clear morning; and so generally keep awake past Mont Bard, remembering the happy walks one used to have on the terrace under Buffon's tower, and thence watching, if perchance, from the mouth of the high tunnel, any film of moonlight may show the far undulating masses of the hills of Citeaux. But most likely one knows the place where the great old view used to be only by the sensible quickening of the pace as the train turns down the incline, and crashes through the trenched cliffs into the confusion and high clattering vault of the station at Dijon.

5. And as my journey is almost always in the springtime, the twisted spire of the cathedral usually shows itself against the first grey of dawn, as we run out again southwards: and resolving to watch the sunrise, I fall more complacently asleep,—and the sun is really up by the time one has to change carriages, and get morning coffee at Macon. And from Amberieux, through the Jura valley, one is more or less feverishly happy and thankful, not so much for being in sight of Mont Blanc again, as in having got through the nasty and gloomy night journey; and then the sight of the Rhone and

the Salève seems only like a dream, presently to end in nothingness; till, covered with dust, and feeling as if one never should be fit for anything any more, one staggers down the hill to the Hotel des Bergues, and sees the dirtied Rhone, with its new iron bridge, and the smoke of a new factory exactly dividing the line of the aiguilles of Chamouni.

6. That is the journey as it is now,—and as, for me, it must be; except on foot, since there is now no other way of making it. But this was the way we used to manage it in old days:—