The measures of Torcello were intended for [Appendix 4]; but having by a misprint referred the reader to [Appendix 3], I give them here. The entire breadth of the church within the walls is 70 feet; of which the square bases of the pillars, 3 feet on each side, occupy 6 feet; and the nave, from base to base, measures 31 ft. 1 in.; the aisles from base to wall, 16 feet odd inches, not accurately ascertainable on account of the modern wainscot fittings. The intervals between the bases of the pillars are 8 feet each, increasing towards the altar to 8 ft. 3 in., in order to allow for a corresponding diminution in the diameter of the bases from 3 ft. to 2 ft. 11 in. or 2 ft. 10. in. This subtle diminution of the bases is in order to prevent the eye from feeling the greater narrowness of the shafts in that part of the nave, their average circumference being 6 ft. 10 in.; and one, the second on the north side, reaching 7 feet, while those at the upper end of the nave vary from 6 ft. 8 in. to 6 ft. 4 in. It is probable that this diminution in the more distant pillars adds slightly to the perspective effect of length in the body of the church, as it is seen from the great entrance: but whether this was the intention or not, the delicate adaptation of this diminished base to the diminished shaft is a piece of fastidiousness in proportion which I rejoice in having detected; and this the more, because the rude contours of the bases themselves would little induce the spectator to anticipate any such refinement.

4. DATE OF THE DUOMO OF TORCELLO.

The first flight to the lagoons for shelter was caused by the invasion of Attila in the fifth century, so that in endeavoring to throw back the thought of the reader to the former solitude of the islands, I spoke of them as they must have appeared “1300 years ago.” Altinum, however, was not finally destroyed till the Lombard invasion in 641, when the episcopal seat was removed to Torcello, and the inhabitants of the mainland city, giving up all hope of returning to their former homes, built their Duomo there. It is a disputed point among Venetian antiquarians, whether the present church be that which was built in the seventh century, partially restored in 1008, or whether the words of Sagornino, “ecclesiam jam vetustate consumptam recreare,” justify them in assuming an entire rebuilding of the fabric. I quite agree with the Marchese Selvatico, in believing the present church to be the earlier building, variously strengthened, refitted, and modified by subsequent care; but, in all its main features, preserving its original aspect, except, perhaps, in the case of the pulpit and chancel screen, which, if the Chevalier Bunsen’s conclusions respecting early pulpits in the Roman basilicas be correct (see the next article of this Appendix), may possibly have been placed in their present position in the tenth century, and the fragmentary character of the workmanship of the latter, noticed in §§ X. and XI., would in that case have been the result of innovation, rather than of haste. The question, however, whether they are of the seventh or eleventh century, does not in the least affect our conclusions, drawn from the design of these portions of the church, respecting pulpits in general.

5. MODERN PULPITS.

There is no character of an ordinary modern English church which appears to me more to be regretted than the peculiar pompousness of the furniture of the pulpits, contrasted, as it generally is, with great meagreness and absence of color in the other portions of the church; a pompousness, besides, altogether without grace or meaning, and dependent merely on certain applications of upholstery; which, curiously enough, are always in worse taste than even those of our drawing-rooms. Nor do I understand how our congregations can endure the aspect of the wooden sounding-board attached only by one point of its circumference to an upright pillar behind the preacher; and looking as if the weight of its enormous leverage must infallibly, before the sermon is concluded, tear it from its support, and bring it down upon the preacher’s head. These errors in taste and feeling will however, I believe, be gradually amended as more Gothic churches are built; but the question of the position of the pulpit presents a more disputable ground of discussion. I can perfectly sympathise with the feeling of those who wish the eastern extremity of the church to form a kind of holy place for the communion table; nor have I often received a more painful impression than on seeing the preacher at the Scotch church in George Street, Portman Square, taking possession of a perfect apse; and occupying therein, during the course of the service, very nearly the same position which the figure of Christ does in that of the Cathedral of Pisa. But I nevertheless believe that the Scotch congregation are perfectly right, and have restored the real arrangement of the primitive churches. The Chevalier Bunsen informed me very lately, that, in all the early basilicas he has examined, the lateral pulpits are of more recent date than the rest of the building; that he knows of none placed in the position which they now occupy, both in the basilicas and Gothic cathedrals, before the ninth century; and that there can be no doubt that the bishop always preached or exhorted, in the primitive times, from his throne in the centre of the apse, the altar being always set at the centre of the church, in the crossing of the transepts. His Excellency found by experiment in Santa Maria Maggiore, the largest of the Roman basilicas, that the voice could be heard more plainly from the centre of the apse than from any other spot in the whole church; and, if this be so, it will be another very important reason for the adoption of the Romanesque (or Norman) architecture in our churches, rather than of the Gothic. The reader will find some farther notice of this question in the concluding chapter of the third volume.

Before leaving this subject, however, I must be permitted to say one word to those members of the Scotch Church who are severe in their requirement of the nominal or apparent extemporization of all addresses delivered from the pulpit. Whether they do right in giving those among their ministers who cannot preach extempore, the additional and useless labor of committing their sermons to memory, may be a disputed question; but it can hardly be so, that the now not unfrequent habit of making a desk of the Bible, and reading the sermon stealthily, by slipping the sheets of it between the sacred leaves, so that the preacher consults his own notes on pretence of consulting the Scriptures, is a very unseemly consequence of their over-strictness.

6. APSE OF MURANO.

The following passage succeeded in the original text to § XV. of [Chap. III.] Finding it not likely to interest the general reader, I have placed it here, as it contains matter of some interest to architects.