Plate 33*. A fac simile of the inscription upon the tomb of Queen Matilda in the Abbey Church of the Holy Trinity at Caen.
FOOTNOTES:
[51] The will of the Queen has been printed by the Abbé De la Rue, (Essais Historiques II. p. 437) from a manuscript in the royal library at Paris; but the writer of the present article is not aware that it has ever yet appeared in any English publication; and he therefore considers it desirable here to reprint it, for the antiquaries of his own country.—“Ego Mathildis Regina do Sanctæ Trinitati Cadomi casulam quam apud Wintoniam [Winchester] operatur uxor Aldereti, et clamidem operatam ex auro quæ est in camera mea ad cappam faciendam, atque de duabus ligaturis meis aureis in quibus cruces sunt, illam quæ emblematibus est insculpta, ad lampadem suspendendam coram Sancto altare, candelabraque maxima quæ fabricantur apud Sanctum Laudum, coronam quoque et sceptrum, calicesque ac vestimentum, atque aliud vestimentum quod operatur in Anglia, et cum omnibus ornamentis equi, atque omnia vasa mea, exceptis illis quæ antea dedero alicubi in vita mea; et Chetehulmum [Quetehou en Cotentin] in Normannia, et duas mansiones in Anglia do Sanctæ Trinitati Cadomi. Hæc omnia concessu domini mei Regis facio.
“Ex cartulario Sanctæ Trin. Bibl. Reg. Paris. nº. 5650.”
[52] The annual income arising from these, is stated by Odon Rigaud, Archbishop of Rouen, in the procés-verbal of his visit to this abbey in 1250, to have amounted to one hundred and sixty pounds sterling; a sum nearly equivalent to eighty thousand livres of the present day.
[53] Anglo-Norman Antiquities, p. 75, t. 7.—In this figure, which represents the south side of the building, a striking resemblance will be observed with the architecture of the church of Than, figured in this work, [pl. 16].—Ducarel, in speaking of the pillars in the inside of the chapel, says they are of a peculiar construction, and widely different from all others that have fallen under his consideration; but he has unfortunately furnished no engraving of them, and has even omitted to mention wherein their peculiarity lay.
[54] Turner's Tour in Normandy, II. p. 184.
[55] Still less can any one be so by the alteration of the arches of entrance into modern windows, which Mr. Turner did not think it worth while to mention.
[56] Anglo-Norman Antiquities, plate 5.
[57] See Turner's Tour in Normandy, II. p. 171.