| Cherubim | Jophiel | |
| Seraphim | Uriel | |
| Thrones | Zaphkiel | |
| Dominions | Zadchiel | |
| Virtues | Haniel | |
| Powers | Raphael | |
| Principalities | Camiel | |
| Archangels | Michael | |
| Angels | Gabriel |
According to A. Welby Pugin’s “Glossary of Architectural Ornament and Costume,” and other authorities, we learn the mediæval conception of these beings.
The following emblems are borne by angels: Flaming Swords, denoting “the wrath of God”; Trumpets, “the voice of God”; Sceptres, “the power of God”; Thuribles, or censers, the incense being the prayers of saints; Instruments of Music, to denote their felicity.
The Apparels, or borders of their robes, are jewelled with Sapphire for “celestial contemplation”; Ruby, “divine love”; Crystal, “purity”; Emerald, “unfading youth.”
Archangels are the principal or chief angels, and are extraordinary ambassadors. Among these the name of Gabriel—the angel of the annunciation, the head of the entire celestial hierarchy—denotes “the power of God”; Michael, “who is like God”; Raphael, “the healing of God”; Uriel, “the fire of God.”
Angel is the name, not of an order of beings, but of an office, and means messenger: wherefore angels are represented YOUNG to show their continued strength, and WINGED to show their unweariedness; WITHOUT SANDALS, for they do not belong to the earth; and GIRT, to show their readiness to go forth and execute the will of God. Their garments are either WHITE, to denote their purity, or GOLDEN, to show their sanctity and glory, or they are of any of the symbolical colours used in Christian Art.
A writer in the Ecclesiastical Art Review, May 1878, I. Lewis André, architect, says that “we seldom find angels clad in any other ecclesiastical vestments than the Alb (or tunic of various colours), and the amice. The Amice is sometimes like a mere loose collar; at other times it has richly embroidered Apparels (or borders), and is exactly like the priestly vestment as worn in the Middle Ages. Instead of the amice we sometimes find a scarf or cloth tied in a knot around the neck, the ends falling down in front.
“In Anne of Brittany’s prayer-book is a beautiful figure of St. Michael. He has a rayed nimbus, a cross on a circlet round his head, a richly embroidered dalmatic (a long robe with sleeves partly open at the sides), and holds a sword in his left hand. The emblems of St. Michael are a crown, a sword, a shield charged with a cross of St. George, or a spear with the banner of the cross, or else with scales in his hand. Sometimes, as at South Leigh, Oxon., he is in complete armour.
“The archangels are often figured with a trumpet in the right hand, scarfs round neck and loins; six wings, sometimes four at the shoulders and two at the hips, the legs bare from the thighs. The four archangels are frequently represented in complete armour and with swords.
“The angels in the Benedictional of St. Ethelwold nearly resemble much later representations; they have wings and the nimbus or aureole, long hair and girded loins, whilst the feet are bare, as is generally the case at all periods of Gothic Art; but the characteristic drapery is loose and flowing as in the Saxon figures of saints; the wings are short and broad, the nimbus is generally rayed like the spokes of a wheel (a form seen in the work of Giotto, with whom it seems to have been a favourite). The alb or vesture has loose sleeves, and at times a mantle or cope envelops the figure; both sleeves and mantles have embroideries or apparels.”