Tacitus and Bracciolini. The Annals Forged in the XVth Century

by John Wilson Ross

If the Annals is really to be considered a forgery, this, instead of being a matter of surprise, ought to be just the thing to be expected; because a clever fabricator, foreseeing that he would be suspected, and eager to foil detection, would know that the curious inquirer into a research of the present description would thus become baffled at every turn from inability, if not to discover it himself, at least, to explain to the satisfaction and conviction of others, the incompatibility of the workings of one spirit in one book with the workings of the other spirit in the other book, when the two compositions were so differently contrived. But if the Annals is to be considered as genuine, then nobody can explain why the same individual should illustrate Roman history in this singular fashion,—both works being designed, as universally admitted, the one to be a complement to the other. What should be the inducement of the author of the Annals if he did not wish the world to deny that it was his handiwork to write his book so very differently from the History of Tacitus? For what was there in the times of Rome under Galba, Otho, Vitellius and Vespasian so very different from what the Roman Empire was under their immediate predecessors, Tiberius, Caligula, Claudius and Nero, that the part which has to do with events in the days of the first-named four emperors should treat of imperial transactions and be deficient in many of the memorials which claim notice in the part dealing with Tiberius, Caligula, Claudius and Nero; and, that the part which has to do with events in the times of the last-named four emperors should all but avoid what is amply recorded in the part, dealing with Galba, Otho, Vitellius and Vespasian, imperial occurrences finding but an occasional and almost accidental notice in the Annals, where the mind is encumbered with the minutiae of circumstantial details of individual deeds.

VIII. The author of the Annals, who (as I shall convincingly show hereafter) lived in the XVth century, seems, on account of that, to have had a still stronger reason than those just given for selecting as his subject the half century after the death of Augustus: its characters and events corresponded closely to the characters of the princes who ruled, and the nature of the movements that were going on all over Europe in his time; for in forging history, that was to pass as written by Tacitus, it was incumbent that he should have the same advantage as the Roman,—be on the same level with him in the occupation of ground. Now, the ground occupied by Tacitus was the time of himself, which enabled him to give a complete and copious reflex of a period through which he had lived with thoughtful attention. Thus his colours are bright. Unless antiquity supplied the author of the Annals only the framework of his picture, and the events of the time when he lived gave the scenes for the painting, his colours would fail, and his outlines become unsteady. In other words, there could not be the scrupulous minuteness and the perfect freedom which make history live and breathe, unless, like Tacitus, he registered facts in which he took the deepest interest, from feeling their influence directly and powerfully exerted over himself, and the living and loved around him. Thus his hand, by being guided as the hand of Tacitus, would throw life into his work. And, truly, there is as much life in the Annals as in the History; but, instead of the air of the first century breathing around it, it is the air of the fifteenth.

This can be tested by many a character; one will suffice, that of Caius Piso in the fifteenth book (48). Pliny and Juvenal tell us that Piso was consul suffectus under Claudius: the Tabulae Arvales add that he was a member of the College of Twelve who offered sacrifice when there was increase in the produce of the soil. Writers and records of antiquity say no more of Caius Piso, not even mentioning the name of his father. On such a little known man a forger of Roman history could safely expatiate; the author of the Annals does so in a portraiture that bears the stamp of the fifteenth century: this is particularly observable when Piso is spoken of as "of brilliant repute among the populace for virtues," or, rather, "qualities that wore the form of virtues,"—"species virtutibus similes";—that he was "far from being morosely moral, or restrained by moderation in pleasures; mild in temper and soft in manners; given to pompous show and occasionally steeping himself in luxurious excesses,"—"procul gravitas morum, aut voluptatum parsimonia: lenitati ac magnificentiae et aliquando luxui indulgebat." This does not appear to be at all applicable to the character of any conspicuous personage belonging to the Roman Empire in the first century, when Romans were warriors still, preserving, amid some effeminacy, much of the hardy vigour of their Republican predecessors, ever and anon throwing aside the toga for the sagum, and rushing from the Forum to the field, to battle with ferocious and demi-nude savages, whom ever subduing they carried home captives chained to their triumphal chariots; but it does seem to be uncommonly applicable to a time when many a priest, whose writings manifest a lax habit of thinking and betray a levity, indeed, licentiousness, ill according with a religious turn of mind, rose to the position of a great dignitary of the Church and a powerful arbiter of the destinies of his kind. As that was an age when Alexander VI. was a Pope, and Lucretia Borgia the daughter of a Pontiff and consort of a reigning Duke of Italy, we can readily credit the author of the Annals, and laud him for admirable, life-like portraiture, when he says that a character and conduct, such as Piso's, "met with the approbation of a large number of people, who, indulging in vice as delightful, did not want at the head of affairs a strict practiser of the moral duties and an austere abstainer from vice:"—"pluribus probabatur, qui in tanta vitiorum dulcedine summum imperium non restrictum nec perseverum volunt."

The character is too vague in its outlines to be any particular individual's; but as all its points fit many an Italian priest who became a Cardinal or a Bishop and a chief minister to a prince, in the time of the Renaissance, as well as in the period immediately before it, and that immediately after it,—it shows how men reflect the age they live in,—how the principal biographies in any certain time convey a pretty accurate idea of the tone of mind then prevailing; further, and above all, it shows to what a great degree the books of the Annals reflect the chief features of the period when they were written, and how deeply their author enters into the spirit of his age.

As with characters so with events. Heaps of passages in the Annals read like incidents in the fifteenth century. It is more like a picture in an Italian court at that period than in a Roman Emperor's in the first century, when the arrest is made of Cneius Novius for being found treacherously armed with a dagger while mixing with the throng of courtiers bowing to the prince; and then when he is stretched on the rack, no confession being wrung from him as to accomplices; and the doubt that prevailed whether he really had fellow-conspirators. "Cneius Novius, eques Romanus, ferro accinctus reperitur in coetu salutantium principem. Nam, postquam tormentis dilaniabatur, de se non infitiatus conscios non edidit, incertum an occultans." (An. XI. 22.)

IX. In this way do I fancy I perceive the author of the Annals chose his subject and worked his materials, so as to do most justice to his talents, and more easily reach the height attained by Tacitus. When he had apparently thus sketched the plan of his edifice, and set about struggling with the difficulties of the elaboration, he encountered these with such eminent success that the reality of his literary labour is one of the most surprising facts in the history of the human mind. He seems never to have once deviated from his design nor to have ever been perplexed by embarrassments in the course of his undertaking, notwithstanding the voluminousness of its nature. In such a procedure, where the time he chose to descant upon fits in with all he wanted to accomplish, we see the first indication of the vast judgment he possessed, as well as the correct notion he had formed of the extent of his superior powers. In detecting in the author of the Annals so much judgment and such an exact estimate of his great mental faculties, we see the difficulty to be coped with in distinguishing between him and Tacitus, and thus in distinguishing between the spurious and the genuine: but this distinguishing can be accomplished by a minute, and only a most minute examination of the two works.

CHAPTER IV.

HOW THE ANNALS DIFFERS FROM THE HISTORY.

I. In the qualities of the writers; and why that difference. —II. In the narrative, and in what respect.—III. In style and language.—IV. The reputation Tacitus has of writing bad Latin due to the mistakes of his imitator.

I. Statesmen learn the things which are of use to them in government by reading the History, because Tacitus recounts the actions of the world under the imperial rule of Rome. All men can profit in the choice of morals from reading the Annals, on account of its writer relating principally the actions of sovereign princes and illustrious persons in their private capacity.