The Candidate: A Political Romance

by Joseph A. Altsheler

Familiar as he was with the candidate's oratorical powers, Harley was surprised at his strength of invective that evening. He had proved the guilt, the overwhelming guilt, of the opposition party, and he was describing the punishment, a punishment sure to come, although many might deem it impossible:

"But there would be a day of judgment; justice might sleep for a while, but she must awake at last, and, the longer vengeance was delayed, the more terrible it became. Then woe to the guilty."

The audience was deeply impressed by the eloquence of Jimmy Grayson, coinciding so well with their own views. Harley saw a look of awe appear upon the faces of many—Sylvia's face was pale—and the house, save for the voice of Jimmy Grayson, was as still as death. Harley felt the effect himself, and the weird, unreal quality that he observed before increased. Once, when he went over to make some notes, he noticed that the words written a half-hour before were scarcely visible, but, when he glanced at the opposite end of the theatre, there stood Hobart and the three witnesses, gathered about him, in the very heart of a dazzling light that showed every changing look on the faces of the four. Harley's gaze lingered upon them, and again he tried to find something peculiar, something distinctive in at least one of the three witnesses, but, as before, he failed; they were to him just ordinary Westerners following with rapt attention every word and gesture of Jimmy Grayson.

The candidate went on with his story of the consequences; the crime had been committed; the profits had been reaped and enjoyed, but slumbering justice, awake at last, was at hand; it was time for the wicked to tremble, the price must be repaid, doubly, trebly, fivefold. Now he personified the guilty party, the opposition, which he treated as an individual; he compared it to a man who had committed a deed of horror, but who long had hidden his crime from the world; others might be suspected of it, others might be punished for it, but he could never forget that he himself was guilty; though he walked before the world innocent, the sense of it would always be there, it would not leave him night or day; every moment, even, before the full exposure it would be inflicting its punishment upon him; it would be useless to seek escape or to think of it, because the longer the guilty victim struggled the more crushing his punishment would be. The correspondents forgot to write, and, like the audience, hung upon every word and gesture of Jimmy Grayson, as he made his great denunciatory speech; they felt that he was stirred by something unusual, that some great and extraordinary motive was impelling him, and they followed eagerly where he led them.

Harley saw the look of awe on the faces of the audience grow and deepen. With their overwhelming admiration of Jimmy Grayson, they seemed to have conceived, too, a sudden fear of him. His long, accusing finger was shaken in their faces, he was not alone denouncing a guilty man, but he was seeking out their own hidden sins, and presently he would point at them his revealing finger.

Hobart stood with the three witnesses beside the door, still in the dazzling light. Harley was sure that not one of the four had moved in the last half-hour, and Jimmy Grayson still held them all with his gaze. Harley suddenly saw something like a flash of light, a signal glance, as it were, pass between him and Hobart, and the next instant the voice of the candidate swelled into greater and more accusing volume.

"Now you behold the guilty man!" said Jimmy Grayson. "I have shown him to you. He seems to the world full of pride and power, but he knows that justice is pursuing him, and that it will overtake him; he trembles, he cowers, he flees, but the avenging footsteps are behind him, and the sound of them rings in his frightened ears like a death-knell to his soul. A wall rises across his way. He can flee no farther; he turns back from the wall, raises his terror-stricken eyes, and there before him the hand of fate is raised; its finger points at him, and a terrible voice proclaims, 'Thou art the guilty man!"

The form of Jimmy Grayson swelled and towered, his hand was raised, the long forefinger pointed directly at the four who stood in the dazzling light, and the hall resounded with the tremendous echoes of his cry, "Thou art the guilty man!"

As if lifted by a common impulse, the great audience rose with an indescribable sound and faced about, following Jimmy Grayson's long, accusing finger.

The man Williams threw his arm before his face, as if to protect himself, and, with a terrible cry, "Yes, I did it!" fell in a faint on the floor.