They were all on the train the next day, and Harley was reading from a copy of the Grayville Argus an account of Boyd's release and the ovation that the people had given him.

"How did you trace the crime to Williams, Hobart?" asked Harley.

"I didn't trace it; it was Jimmy Grayson who brought it out by giving him 'the third degree,'" replied Hobart, though there was a quiet tone of satisfied pride in his voice. "You know that in New York, when they expose a man at Police Headquarters to some such supreme test, they call it giving him 'the third degree,' and that's what we did here. It seems that Williams was in the saloon when Boyd and his partner quarrelled, and he knew they had a lot of gold from the claim in their cabin. His object was robbery. When he saw Wofford go on ahead, he followed him quickly to the cabin, and killed him with the knife which lay on a table. He expected to have time to get the gold before Boyd came, but Boyd arrived so soon that he was barely able to slip out. Then Williams, cunning and bold enough, came back as if he were a chance passer-by, and had been called by Metzger and Thorpe. The other two were as innocent as you or I.

"I could not make up my mind which of the three was guilty, and I induced Jimmy Grayson to help me. It was right in line with his speech—no harm done even if the test had failed—and then the man who managed the lights at the opera-house, a friend of Boyd's, helped me with the stage effects. Jimmy Grayson, of course, knew nothing about that. I borrowed the idea. I have read somewhere that Aaron Burr by just such a device once convicted a guilty man who was present in court as a witness when another was being tried for the crime."

"Well, you have saved his life to an innocent man," said Harley.

"And I have cost a guilty one his." And then, after a moment's pause, Hobart added, with a little shiver:

"But I wouldn't go through such an ordeal again at any price. When Jimmy Grayson thundered out, 'Thou art the guilty man,' it was all I could do to keep from crying, 'Yes, I am, I am!'"


XIV