Has inter voces, media inter talia verba,
Ecce viro stridens alis allapsa sagitta est,
Incertum quâ pulsa manu ...
But of all the descriptive Parts of this Song, there are none more beautiful than the four following Stanzas which have a great Force and Spirit in them, and are filled with very natural Circumstances. The Thought in the third Stanza was never touched by any other Poet, and is such an one as would have shined in
Homer
or in
Virgil
.
So thus did both those Nobles die,
Whose Courage none could stain:
An English Archer then perceived
The noble Earl was slain.
He had a Bow bent in his Hand,
Made of a trusty Tree,
An Arrow of a Cloth-yard long
Unto the Head drew he.
Against Sir Hugh Montgomery
So right his Shaft he set,
The Gray-goose Wing that was thereon
In his Heart-Blood was wet.
This Fight did last from Break of Day
Till setting of the Sun;
For when they rung the Evening Bell
The Battle scarce was done.
One may observe likewise, that in the Catalogue of the Slain the Author has followed the Example of the greatest ancient Poets, not only in giving a long List of the Dead, but by diversifying it with little Characters of particular Persons.
And with Earl Dowglas there was slain
Sir Hugh Montgomery,
Sir Charles Carrel, that from the Field
One Foot would never fly:
Sir Charles Murrel of Ratcliff too,
His Sister's Son was he;
Sir David Lamb, so well esteem'd,
Yet saved could not be.
The familiar Sound in these Names destroys the Majesty of the Description; for this Reason I do not mention this Part of the Poem but to shew the natural Cast of Thought which appears in it, as the two last Verses look almost like a Translation of