, and declared my Opinion, as to the Allegorical Persons who are introduced in it.
If we look into the Sentiments, I think they are sometimes defective under the following Heads: First, as there are several of them too much pointed, and some that degenerate even into Punns. Of this last kind I am afraid is that in the First Book, where speaking of the Pigmies, he calls them,
—The small Infantry
Warrdon by Cranes—
Blemish
that
appears in some of his Thoughts, is his frequent Allusion to Heathen Fables, which are not certainly of a Piece with the Divine Subject, of which he treats. I do not find fault with these Allusions, where the Poet himself represents them as fabulous, as he does in some Places, but where he mentions them as Truths and Matters of Fact. The Limits of my Paper will not give me leave to be particular in Instances of this kind; the Reader will easily remark them in his Perusal of the Poem.
A third fault in his Sentiments, is an unnecessary Ostentation of Learning, which likewise occurs very frequently. It is certain that both Homer and Virgil were Masters of all the Learning of their Times, but it shews it self in their Works after an indirect and concealed manner. Milton seems ambitious of letting us know, by his Excursions on Free-Will and Predestination, and his many Glances upon History, Astronomy, Geography, and the like, as well as by the Terms and Phrases he sometimes makes use of, that he was acquainted with the whole Circle of Arts and Sciences.
If, in the last place, we consider the Language of this great Poet, we must allow what I have hinted in a former Paper, that it is often too much laboured, and sometimes obscured by old Words, Transpositions, and Foreign Idioms. Seneca's Objection to the Style of a great Author,