Riget ejus oratio, nihil in eâ placidum nihil lene
, is what many Criticks make to Milton: As I cannot wholly refuse it, so I have already apologized for it in another Paper; to which I may further add, that Milton's Sentiments and Ideas were so wonderfully Sublime, that it would have been impossible for him to have represented them in their full Strength and Beauty, without having recourse to these Foreign Assistances. Our Language sunk under him, and was unequal to that Greatness of Soul, which furnished him with such glorious Conceptions.
A second Fault in his Language is, that he often affects a kind of Jingle in his Words, as in the following Passages, and many others:
And brought into the World a World of Woe.
—Begirt th' Almighty throne
Beseeching or besieging—
This tempted our attempt—
At one slight bound high overleapt all bound.
I
there are Figures for this kind of Speech, that some of the greatest Ancients have been guilty of it, and that Aristotle himself has given it a place in his Rhetorick among the Beauties of that Art.
But as it is in its self poor and trifling, it is I think at present universally exploded by all the Masters of Polite Writing.
The last Fault which I shall take notice of in Milton's Style, is the frequent use of what the Learned call Technical Words , or Terms of Art. It