I waited for his leap with doubt, with disbelief, in the helpless agitation of the weak. Gradually he seemed to relax all over.
“Drink deep; drink, and drink, and drink, Castro. Water. Clear water, cool water. Taste, Castro!”
He called on him in tones that were almost tender in their urgency, to come and drink before he died. His voice seemed to cast a spell, like an incantation, upon the tubby little figure, with something yearning in the upward turn of the listening face.
“Drink!” Manuel repeated the word several times; then, suddenly he called, “Taste, Castro, taste,” and a descending brightness, as of a crystal rod hurled from above, shivered to nothing on the upturned face. The light disappearing from before the cave seemed scared away by the inhuman discord of his shriek; and I flung myself forward to lick the splash of moisture on the sill. I did not think of Castro, I had forgotten him. I raged at the deception of my thirst, exploring with my tongue the rough surface of the stone till I tasted my own blood. Only then, raising my head to gasp, and clench my fists with a baffled and exasperated desire, I noticed how profound was the silence, in which the words, “Take away his sting,” seemed to pronounce themselves over the ravine in the impersonal austerity of the rock, and with the tone of a tremendous decree.
CHAPTER TEN
He had surrendered to his thirst. What weakness! He had not thrown himself over, then. What folly! One splash of water on his face had been enough. He was contemptible; and lying collapsed, in a sort of tormented apathy, at the mouth of the cave, I despised and envied his good fortune. It could not save him from death, but at least he drank. I understood this when I heard his voice, a voice altogether altered—a firm, greedy voice saying, “More,” breathlessly. And then he drank again. He was drinking. He was drinking up there in the light of the fire, in a circle of mortal enemies, under Manuel’s gloating eyes. Drinking! O happiness! O delight! What a miserable wretch! I clawed the stone convulsively; I think I would have rushed out for my share if I had not heard Manuel’s cruel and caressing voice:
“How now? You do not want to throw yourself over, my Castro?”
“I have drunk,” he said gloomily.
I think they must have given him something to eat then. In my mind there are many blanks in the vision of that scene, a vision built upon a few words reaching me, suddenly, with great intervals of silence between, as though I had been coming to myself out of a dead faint now and then. A ferocious hum of many voices would rise sometimes impatiently, the scrambling of feet near the edge; or, in a sinister and expectant stillness, Manuel the artist would be speaking to his “beloved victim Castro” in a gentle and insinuating voice that seemed to tremble slightly with eagerness. Had he eaten and drunk enough? They had kept their promises, he said. They would keep them all. The water had been cool—and presently he, Manuel-del-Popolo, would accompany with his guitar and his voice the last moments of his victim. Bursts of laughter punctuated his banter. Ah! that Manuel, that Manuel! Some actually swore in admiration. But was Castro really at his ease? Was it not good to eat and drink? Had he quite returned to life? But, Caramba, amigos, what neglect! The caballero who has honoured us must smoke. They shouted in high glee: “Yes. Smoke, Castro. Let him smoke.” I suppose he did; and Manuel expounded to him how pleasant life was in which one could eat, and drink, and smoke. His words tortured me. Castro remained mute—from disdain, from despair, perhaps. Afterwards they carried him along clear of the cornice, and I understood they formed a half-circle round him, drawing their knives. Manuel, screeching in a high falsetto, ordered the bonds of his feet to be cut. I advanced my head out as far as I dared; their voices reached me deadened; I could only see the profound shadow of the ravine, a patch of dark clear sky opulent with stars, and the play of the firelight on the opposite side. The shadow of a pair of monumental feet, and the lower edge of a cloak, spread amply like a skirt, stood out in it, intensely black and motionless, right in front of the cave. Now and then, elbowed in the surge round Castro, the guitar emitted a deep and hollow resonance. He was tumultuously ordered to stand up and, I imagine, he was being pricked with the points of their knives till he did get on his feet. “Jump!” they roared all together—and Manuel began to finger the strings, lifting up his voice between the gusts of savage hilarity, mingled with cries of death. He exhorted his followers to close on the traitor inch by inch, presenting their knives.