and are supposed to have been issued between the years 1420 and 1440. There is no title-page to any of them, and the dates are generally only a matter of conjecture. Probably they were copies of illuminated manuscripts, and were drawn, engraved, and coloured by the monks in their scriptoria. Doubtless other books of a similar character may be existing in some of the old monasteries on the Continent at the present day.
The Block Books appear to have been made in Germany and Holland, and the most popular volumes passed through many editions. The earliest specimens are printed in a brown ink similar to that used for distemper drawings. It sometimes happened that the blocks used for a book were afterwards cut up and used over again in a different combination (as noticed by Bradshaw in his 'Memoranda,' No. 3, pp. 5 and 6, and by William Blades, in his 'Pentateuch of Printing,' pp. 12 and 13.) A Block-book edition of the 'Biblia Pauperum,' printed at Zwolle, was cut up, and the pieces used afterwards in a different combination. The same was done with the blocks of the 'Speculum nostrae Salvationis,' which were cut up, and the pieces used again for an edition printed at Utrecht in 1481. This was a step in the development of the art of printing.
Biblia Pauperum.—In the Print Room of the British Museum there is a very fine copy of this work, probably the first edition. It is a small folio consisting of forty leaves impressed on one side only of the paper, in pale-brown ink or distemper, by means of friction, probably by a frotton or roller, as we can tell by the glazed surface on the back. The right order of the pages is indicated by the letters a, b, c, &c., on the face of the prints, each of which is about ten inches in height by seven and a-half in breadth. On the upper part of each page are frequently two half-length figures and two on the lower, intended for portraits of the prophets and other holy men whose writings are cited in the Latin text.
The middle part of the page consists of three compartments, each of which is occupied by a subject from the Old or New Testament. The greater part of the text is at the sides of the upper portraits. On each side of those below is frequently a rhyming Latin verse. Texts of Scripture also appear on scrolls. The illustration, which is a much reduced copy of the tenth page (k), will afford a better idea of the arrangement of the subject and of the texts than any more lengthened description.
The picture in the middle represents the Temptation of Christ by the Devil; that on the right, the Temptation of Adam by Eve; and that on the left, Esau selling his birthright for a Mess of Pottage, which his Brother Jacob has evidently just cooked in the iron pot suspended over the fire on a ratchet in the chimney-breast. The ham and goat's flesh or venison hanging on the kitchen wall remind us of the Dutch paintings of two centuries later. Esau's bow and quiver will be seen to be of a very primitive character.
On the thirty-second page (to give another example) we find in the middle compartment Christ appearing to His Disciples; on the left, Joseph discovering himself to his Brethren; and on the right, the Return of the Prodigal Son.
At the bottom of the page are these rhyming Latin verses:—