“Yes,” Sanviano replied, “he did! He wants to marry Lavinia.”

Lavinia half rose, with a horrified protest; Gheta seemed suddenly turned to stone; the knitting fell unheeded from the marchesa's lap. Sanviano spread out his hands helplessly.

“Well,” he demanded, “what could I do?... A man with Orsi's blameless character and the Orsi banks!”

V

The house to which Cesare Orsi took Lavinia was built over the rim of a small steep island in the Bay of Naples, opposite Castellamare. It faced the city, rising in an amphitheater of bright stucco and almond blossoms, across an expanse of glassy and incredibly blue water. It was evening, the color of sky and bay was darkening, intensified by a vaporous rosy column where the ascending smoke of Vesuvius held the last upflung glow of the vanished sun. Lavinia could see from her window the pale distant quiver of the electric lights springing up along the Villa Nazionale.

The dwelling itself drew a long irregular façade of white marble on its abrupt verdant screen—a series of connected pavilions, galleries, pergolas, belvedere, flowering walls and airy chambers. There were tesselated remains from the time of the great pleasure-saturated Roman emperors, a later distinctly Moorish influence, quattrocento-painted eaves, an eighteenth-century sodded court, and a smoking room with the startling colored glass of the nineteenth.

The windows of Lavinia's room had no sashes; they were composed of a double marble arch, supported in the center by a slender twisted marble column, with Venetian blinds. She stood in the opening, gazing fixedly over the water turning into night. She could hear, from the room beyond, her husband's heavy deliberate footfalls; and the sound filled her with a formless resentment. She wished to be justifiably annoyed by them, or him; but there was absolutely no cause. Cesare Orsi's character and disposition were alike beyond reproach—transparent and heroically optimistic. Since their marriage she had been insolent, she had been both captious and continuously indifferent, without unsettling the determined eager good-nature with which he met her moods.

During the week he went by launch into Naples in the interests of his banking, and did not return for luncheon; and she had long uninterrupted hours for the enjoyment of her pleasant domain. Altogether, his demands upon her were reasonable to the point of self-effacement. He laughed a great deal; this annoyed her youthful gravity and she remonstrated sharply more than once, but he only leaned back and laughed harder. Then she would either grow coldly disdainful or leave the room, followed by the echo of his merriment. There was something impervious, like armor, in his excellent humor. Apparently she could not get through it to wound him as she would have liked; and she secretly wondered.

He was prodigal in his generosity—the stores of the Via Roma were prepared to empty themselves at her desire. Cesare Orsi's wife was a figure of importance in Naples. She had been made welcome by the Neapolitan society—lawn fêtes had been given in villas under the burnished leaves of magnolias on the height of Vomero. The Cavaliere Nelli, Orsi's cousin and a retired colonel of Bersaglieri, entertained lavishly at dinner on the terrace of Bertolini's; she went out to old houses looking through aged and riven pines at the sea.

She would have enjoyed all this hugely if she had not been married to Orsi; but the continual reiteration of the fact that she was Orsi's wife filled her with an accumulating resentment. The implication that she had been exceedingly fortunate became more than she could bear. The consequence was that, as soon as it could be managed, she ceased going about.