The following is a letter from one William Faunte to Edward Alleyn, then proprietor of the Bear Garden, regarding the sale of some game bulls:
I understood by a man which came with two bears from the garden, that you have a desire to buy one of my bulls. I have three western bulls at this time, but I have had very ill luck with them, for one of them hath lost his horn to the quick, that I think he will never be able to fight again; that is my old Star of the West: he was a very easy bull. And my bull Bevis, he hath lost one of his eyes, but I think if you had him he would do you more hurt than good, for I protest I think he would either throw up your dogs into the lofts, or else ding out their brains against the grates.[194]
Finally, among the Alleyn papers of Dulwich College is an interesting bill, or advertisement, of an afternoon's performance at the Bear Garden:
To-morrow being Thursday shall be seen at the Bear Garden on the Bankside a great match played by the gamesters of Essex, who hath challenged all comers whatsoever to play five dogs at the single bear for five pounds, and also to weary a bull dead at the stake; and for your better content [you] shall have pleasant sport with the horse and ape and whipping of the blind bear. Vivat Rex!
In 1613 the Bear Garden was torn down, and a new and handsomer structure erected in its place. For the history of this building the reader is referred to the [chapter] on "The Hope."
CHAPTER VIII
NEWINGTON BUTTS
THE Bankside, as the [preceding chapter] indicates, offered unusual attractions to the actors. It had, indeed, long been associated with the drama: in 1545 King Henry VIII, in a proclamation against vagabonds, players,[195] etc., noted their "fashions commonly used at the Bank, and such like naughty places, where they much haunt"; and in 1547 the Bishop of Winchester made complaint that at a time when he intended to have a dirge and mass for the late King, the actors in Southwark planned to exhibit "a solemn play, to try who shall have the most resort, they in game or I in earnest."[196] The players, therefore, were no strangers to "the Bank." And when later in the century the hostility of the Common Council drove them to seek homes in localities not under the jurisdiction of the city, the suburb across the river offered them a suitable refuge. For, although a large portion of Southwark was under the jurisdiction of London, certain parts were not, notably the Liberty of the Clink and the Manor of Paris Garden, two sections bordering the river's edge, and the district of Newington lying farther back to the southwest. In these places the actors could erect their houses and entertain the public without fear of the ordinances of the Corporation, and without danger of interruption by puritanical Lord Mayors.