For the purposes of this book it is sufficient to know that the Globe was "situate in Maiden Lane"; whether on the north side or the south side is of less importance. More important is the nature of the site. Strype, in his edition of Stow's Survey, gives this description: "Maiden Lane, a long straggling place, with ditches on each side, the passage to the houses being over little bridges, with little garden plots before them, especially on the north side, which is best both for houses and inhabitants." In Maiden Lane, near one of these ditches or "sewers," the Globe was erected; and like the other houses there situated, it was approached over a bridge.[388] In February, 1606, the Sewer Commission ordered that "the owners of the playhouse called the Globe, in Maid Lane, shall before the 20 day of April next pull up and take clean out of the sewer the props or posts which stand under their bridge on the north side of Maid Lane."[389] The ground on which the building was erected was marshy, and the foundations were made by driving piles deep into the soil. Ben Jonson tersely writes:[390]

The Globe, the glory of the Bank.... Flanked with a ditch, and forced out of a marish.

Into the construction of the new playhouse went the timber and other materials secured from the old Theatre; but much new material, of course, had to be added. It is a mistake to believe that the Globe was merely the old "Theatre" newly set up on the Bankside, and perhaps strengthened here and there. When it was completed, it was regarded as the last word in theatrical architecture. Dekker seems to have had the Globe in mind in the following passage: "How wonderfully is the world altered! and no marvel, for it has lyein sick almost five thousand years: so that it is no more like the old Theater du munde, than old Paris Garden is like the King's garden at Paris. What an excellent workman therefore were he, that could cast the Globe of it into a new mould."[391] In 1600 Henslowe and Alleyn used the Globe as the model of their new and splendid Fortune. They sought, indeed, to show some originality by making their playhouse square instead of round; but this, the one instance in which they departed from the Globe, was a mistake; and when the Fortune was rebuilt in 1623 it was made circular in shape.

THE SITES OF THE BEAR GARDEN, THE ROSE, AND THE GLOBE

Marked by the author on a plan of the Bankside printed in Strype's Survey of London, 1720.

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THE BEAR GARDEN, THE ROSE, AND THE FIRST GLOBE

Compare this view of the Bankside with the [preceding map]. (From an equestrian portrait of King James I, by Delaram. The city is represented as it was when James came to the throne in 1603.)