A few quotations from the Fortune contract will throw some light upon the Globe:
With such-like stairs, conveyances, and divisions [to the galleries], without and within, as are made and contrived in and to the late-erected playhouse ... called the Globe.
And the said stage to be in all other proportions contrived and fashioned like unto the stage of the said playhouse called the Globe.
And the said house, and other things before mentioned to be made and done, to be in all other contrivations, conveyances, fashions, thing, and things, effected, finished and done according to the manner and fashion of the said house called the Globe, saving only that all the principal and main posts ... shall be square and wrought pilasterwise, with carved proportions called satyrs to be placed and set on the top of every of the said posts.
What kind of columns were used in the Globe and how they were ornamented, we do not know, but presumably they were round. Jonson, in Every Man Out of His Humour, presented on the occasion of, or shortly after, the opening of the Globe in 1599, says of one of his characters: "A well-timbered fellow! he would have made a good column an he had been thought on when the house was abuilding."[392] That Jonson thought well of the new playhouse is revealed in several places; he speaks with some enthusiasm of "this fair-fitted Globe,"[393] and in the passage already quoted he calls it "the glory of the Bank."
In shape the building was unquestionably polygonal or circular, most probably polygonal on the outside and circular within. Mr. E.K. Chambers thinks it possible that it was square;[394] but there is abundant evidence to show that it was not. The very name, Globe, would hardly be suitable to a square building; Jonson describes the interior as a "round";[395] the ballad on the burning of the house refers to the roof as being "round as a tailor's clew"; and the New Globe, which certainly was not square, was erected on the old foundation.[396] The frame, we know, was of timber, and the roof of thatch. In front of the main door was suspended a sign of Hercules bearing the globe upon his shoulders,[397] under which was written, says Malone, the old motto, Totus mundus agit histrionem.[398]
The earliest representation of the building is probably to be found in the Delaram [View of London] (opposite page [246]), set in the background of an engraving of King James on horseback. This view, which presents the city as it was in 1603 when James came to the throne, shows the Bear Garden at the left, polygonal in shape, the Rose in the centre, circular in shape, and the Globe at the right, polygonal in shape. It is again represented in Visscher's magnificent [View of London], which, though printed in 1616, presents the city as it was several years earlier (see page [253]). The [Merian View of 1638] (opposite page [256]) is copied from Visscher, and the View in Howell's Londinopolis (1657) is merely a slavish copy of Merian; these two views, therefore, so far as the Globe is concerned, have no special value.[399]
THE FIRST GLOBE
From an old drawing in an extra-illustrated copy of Pennant's London now in the British Museum. Apparently the drawing is based on Visscher's View.