The evening of our arrival in Forty Mile Post we were attracted by observing a row of miners, who were lined up in front of the saloon engaged in watching the door of a large log cabin opposite, rather dilapidated, with the windows broken in. On being questioned, they said there was going to be a dance, but when or how they did not seem to know: all seemed to take only a languid looker-on interest, speaking of the affair lightly and flippantly. Presently more men, however, joined the group and eyed the cabin expectantly. In spite of their disclaimers they evidently expected to take part, but where were the fair partners for the mazy waltz?

The evening wore on until ten o'clock, when in the dusk a stolid Indian woman, with a baby in the blanket on her back, came cautiously around the corner, and with the peculiar long slouchy step of her kind, made for the cabin door, looking neither to the right nor to the left. She had no fan, nor yet an opera cloak; she was not even décolleté; she wore large moccasins on her feet—number twelve, I think, according to the white man's system of measurement—and she had a bright colored handkerchief on her head. She was followed by a dozen others, one far behind the other, each silent and unconcerned, and each with a baby upon her back. They sidled into the log cabin and sat down on the benches, where they also deposited their babies in a row: the little red people lay there very still, with wide eyes shut or staring, but never crying—Indian babies know that is all foolishness and doesn't do any good. The mothers sat awhile looking at the ground in some one spot and then slowly lifted their heads to look at the miners who had slouched into the cabin after them—men fresh from the diggings, spoiling for excitement of any kind. Then a man with a dilapidated fiddle struck up a swinging, sawing melody, and in the intoxication of the moment some of the most reckless of the miners grabbed an Indian woman and began furiously swinging her around in a sort of waltz, while the others crowded around and looked on.

Little by little the dusk grew deeper, but candles were scarce and could not be afforded. The figures of the dancing couples grew more and more indistinct and their faces became lost to view, while the sawing of the fiddle grew more and more rapid, and the dancing more excited. There was no noise, however; scarcely a sound save the fiddle and the shuffling of the feet over the floor of rough hewn logs; for the Indian women were stolid as ever, and the miners could not speak the language of their partners. Even the lookers-on said nothing, so that these silent dancing figures in the dusk made an almost weird effect.

One by one, however, the women dropped out, tired, picked up their babies and slouched off home, and the men slipped over to the saloon to have a drink before going to their cabins. Surely this squaw-dance, as they call it, was one of the most peculiar balls ever seen. No sound of revelry by night, no lights, no flowers, no introductions, no conversations. Of all the Muses, Terpsichore the nimble-footed, alone was represented, for surely the nymph who presides over music would have disowned the fiddle.

All the diggings in the Forty Mile district were remote from the Post, and to reach them one had to ascend Forty Mile Creek, a rapid stream, for some distance. Pete left us here, and we three concluded to go it alone. Inasmuch as we were young and tender, we were overwhelmed with advice of such various and contradictory kinds that we were almost disheartened. Every one agreed that it would be impossible to take our boats up the river, that we should take an "up river" boat, (that is, a boat built long and narrow, with a wide overhang, so as to make as little friction with the water as possible, and to make upsetting difficult); but when we came to inquire we found there was no such boat to be had. We were advised to take half-a-dozen experienced polers, but such polers could not be found. Evidently we must either wait the larger part of the summer for our preparations à la mode, or go anyhow; and this latter we decided to do. We announced our intention at the table of the man whose hospitality we were enjoying. He stared.

"You'll find Forty Mile Creek a hard river to go up," he said, slowly. "Have you had much experience in ascending rivers?"

"Very little," we replied.

"Are you good polers?" asked another.

"Like the young lady who was asked whether she could play the piano," I answered, "we don't know—we never tried." Everybody roared; they had been wanting to laugh for some time, and here was their opportunity. Later a guide was offered to us, but we had got on our dignity and refused him; then he asked to be allowed to accompany us as a passenger, taking his own food, and helping with the boat, and we consented to this. He had a claim on the headwaters of Sixty Mile, to which he wished to go back, but could not make the journey up the river alone. A year afterwards this penniless fellow was one of the lucky men in the Klondike rush and came back to civilization with a reputed fortune of $100,000.

We could row only a short distance up the creek from the post, for after this the current became so swift that we could make no headway. We then tied a long line to the bow of the boat, and two of us, walking on the shore, pulled the line, while another stood in the bow and by constant shoving out into the stream, succeeded in overcoming the tendency for the pull of the line to make the boat run into the shore or into such shallow water that it would ground. We soon reached the canyon, supposed to be the most difficult place in the creek to pass; here the stream is very rapid and tumbles foaming over huge boulders which have partially choked it. We towed our boat up through this, however, without much difficulty, and on the second night camped at the boundary line.