The Proof—the Queen of Fashion
The point I advance, if it need confirmation,
I'll prove by a witness that few will dispute,
A pink of perfection and truth in the naion
Where fashion and folly are all of a suit.
'Tis “Merdle the banker”—or rather his wife,
Whose fashion, religion, or music, or dress,
Is followed, consulted, by many through life,
As pilots are followed by ships in distress;
For money's a pilot, a master, a king,
Which men follow blindly through quicksands and shoals,
Where pilots their ships in a moment might fling
To destruction the vessel and cargo and souls.
'Twas money made Kitty of fashion the queen,
And fortune oft lends queens the scepter;
So fortune and fashion with this one we've seen
Her money and fortune in fashion has kept her;
While slaves of the queen with her hoops rules the day,
Expanding their utmost extent of expansion,
And mandates of fashion most freely obey,
And would if it bid all their souls to extinction.
The Object aimed at.
But what “lady patron” as queen holds the sway;
Or sweeping, whose hoops in the street are most sweeping;
The burthen is not of this truth-telling lay,
That should in its reading the world set to weeping,
While telling the suff'rings from head to the feet,
Of poor human beings with nothing to eat.
What another Poet did.
Another expounder of life's thorny mazes
Excited our pity at fortune's hard fare,
And troubled the city's most troublesome places,
While singing his ditty of “Nothing to Wear.”
“A tale worth the telling,”' though I tell for the same,
Great objects of pity we see in the street,
“With nothing to wear, though a legion by name,
Is not to buy clothing, but something to eat.