The Educational Ideal of Vives

It has been usual to enter to the credit of the Protestantism of John Sturm and Maturinus Corderius the educational ideal of pietas literata. No doubt the seventeenth-century Huguenots of France and the Puritans of England were distinguished by this double educational aim of piety and culture. But it was characteristic also of the earlier Catholic world of Erasmus and of Vives. Rising above the ordinary level of the scholars of the Italian Renascence, Erasmus and Vives had higher sympathy and delight in children. Erasmus dedicated his Colloquia or Dialogues (in 1524) to the little child John Erasmius Froben, the son of the renowned publisher Froben of Basle. “You have arrived,” he says, “at an age than which none happier occurs in the course of life for imbibing the seeds of literature and of piety.... The Lord Jesus keep the present season of your life pure from all pollutions, and ever lead you on to better things.”

So, too, in 1538, Juan Luis Vives dedicated his School Dialogues to a child, the eleven-years-old boy—Prince Philip.

Both Erasmus and Vives believed in early training in religious instruction. Vives writes as follows on religious education: “Who is there who has considered the power and loftiness of the mind, its understanding of the most [xlix]remarkable things, and through understanding love of them, and from love the desire to unite himself with them, who does not perceive clearly that man was formed, not for food, clothing, and habitation, not for difficult, secret, and vexatious knowledge, but to develop the desire to know God more truly, to participate in His Divine Nature and His Eternity?... Since piety is the only way of perfecting man, and accomplishing the end for which he was formed, therefore piety is of all things the one thing necessary. Without the others man can be perfected and complete; without this, he cannot but be most miserable.”[27]

In one passage Vives remarks that the strength of religion is developed by its exercise rather than by any theoretical knowledge. For this reason, when meals are described in the School Dialogues, we find some form of grace, before and after the meal, duly said. The tone of the Dialogues is reverential. A. J. Namèche says[28] that in the Dialogues “Vives brings a sense of decency, respect for morals, the fear so laudable of doing any violence to the innocence of young people. We know well enough that Erasmus is far from being irreproachable in this respect, and that his language is free sometimes even to the extent of cynicism.” Without wishing to follow Namèche in the comparison of the moral aspects of Erasmus and Vives in their dialogues, a claim may be made for both that they were eager advocates in the joining of piety with culture, and that both Erasmus and Vives, each in his own way, did valiant work in endeavouring to raise the standard of manners and morals as well as to promote piety in young and old.

There can, however, be no doubt that Vives deserved the high reputation which he received of reverence for the morals [l]of youth. Peter Motta is full of enthusiasm for Vives in this respect. In the Preface to his Commentary on Vives’ School Dialogues, Motta says: “By reading other books such as those of Terence and Plautus, you can undoubtedly get extracts which show the fruit of eloquence. But who can avoid seeing that in them you will find incitements to vices, and stumbling blocks to morals? Now, in our author Vives, you will find little flowers of Latin elegance which he has brought together from various most renowned authors, whilst there is nothing in his work which does not seem to suggest even the Christ, or at least the highest morality and sound education.” This may be regarded as the exaggerated language of an admirer, but the reverential tone of Vives is clear enough, reminding one of Vittorino da Feltre, of whom it was said that he went to his teacher’s desk each day as if to an altar.

Vives’ Last Dialogue: The Precepts of Education

Vives lays down twenty-four Precepts of Education. Some critics have thought such precepts out of place in a book written for boys. But Vives has done all he could to interest boys on their own level. He has always retained the boy in himself, and has spoken from the fulness of his heart, as a boy, in the dialogues. And as he parts company with boys in these dialogues, he wishes, as all true, older human beings must wish, for once at least to give of his best to the young. He will give back to the boys who have followed him through the Dialogues (as a teacher who is a “good sort”) a full reward for their trouble. He will pay them the compliment of treating them seriously.

This seems a right instinct. It is not priggish (as some seem to think) to give of a man’s best to a boy or to boys at[li] the right moment. When once a boy is sure there is “the boy” in any man he knows, there is no camaraderie he delights in such as that which allows him to see a little of the man,—to jump, so to say, on the man’s mental shoulders to catch a better glimpse of the far distance.

When John Thomas Freigius—grown up into the classical scholar—looks back, in his Preface to his edition of Vives’ School Dialogues, he says: “As a boy, I so loved Luis Vives that not even now do I feel my old love for him has faded away from my mind.” Perhaps the last dialogue, with its twenty-four precepts, did not cause the love of Freigius for Vives, but the love being there, it continued in spite of having to read the precepts. Anyway, Vives, who had turned aside from the weighty problems of learning and literature, where he belonged to the great triumvirate of writers of his day—enthroned by contemporary judges by the side of the great Erasmus and the great Budaeus—stated the precepts which, in his view, should guide, not only his book of dialogues and the schools, but all stages of culture. Boys brought up on these precepts, and retaining them as principles of education in their later life, might perhaps have cheered the heart of Vives by showing that he had abstained from his higher studies to some purpose when he wrote his School Dialogues.