The frequenters of the theatres and circuses of the present day would consider this establishment of Gudel's very modest, with its single gallery, a little red serge, and its shabby velvet curtain. There was an orchestra, but what an orchestra! All the actors when not occupied on the stage assisted in it. Gudel at intervals played the trombone. The gallery was crowded; so crowded that, from time to time, there were ominous crackings, but the people in their excitement did not notice this.
But a great silence fell on the spectators, when Irène de Salves entered. Erect and haughty, she moved through the crowd, with the slightest possible inclination of the head in apology for disturbing them.
A word here in regard to this young lady. She was looked upon as a very eccentric person. Her father had followed Bonaparte's fortunes, and had fallen in Russia, leaving his widow sole guardian of this girl, then only four years of age.
The Countess, broken-hearted at her loss, shut herself up in the château, and devoted herself to her daughter. Irène seemed to have inherited her father's adventurous spirit, and her mother encouraged rather than restrained it, so great was her joy in the resemblance. She had his exuberant vitality, his contempt for danger, and his pride of race. Irène, possessing an enormous fortune and accustomed to the indulgence of every caprice, soon began to look upon herself as of superior clay to these peasants who doffed their hats to her as she passed. She believed in the great power of money, and the Countess encouraged this belief. But illness came, and the Countess was confined to her sofa by paralysis. She lived now only for her daughter, and it was the one bright spot in her day when Irène rushed in, bringing with her fresh air and the sweet scents of the woods.
The child had become a woman, a woman full of contradictions. She was by turns charitable or pitiless, benevolent or disdainful. Sometimes, gay as a child, she rode all over the country—other days she hid herself in the woods or climbed to some inaccessible height, and there, with ardent eyes, indifferent to the wind that tossed her dark hair, she dreamed those dreams in which girls delight. She had moods of motiveless irritation, and of unreasonable indulgence. One day a village boy threw a stone at her horse. She pursued him with uplifted whip. Suddenly he turned, and folding his arms, defied her. She laughed aloud, and tossed him her purse.
Another time she was told that a fire had destroyed a village. She hardly seemed to hear. It was winter. In the middle of the night she arose and saddled her horse with her own hands, and rode off to the sufferers, working over them for hours.
She was not liked—none could tell why. Suddenly she learned, after a visit made by the Notary to her sick mother, that she was to marry the Vicomte Talizac. She cared nothing about it one way or the other. If her mother's heart was set upon it she was perfectly willing. The only thing she disliked in the plan was that she must leave her beautiful mountains. She had never been attracted by Paris, the streets and the people frightened her, but she was consoled by the thought that it would be a new world to conquer. On her return to the château, the daring words uttered by Fanfar dwelt in her memory: "Make yourself beloved." She had entered the booth where the exhibition had taken place, in a moment of idle curiosity, and was surprised at the impression made on her by the place and the people. She was greatly irritated withal. This mountebank, this rope-dancer, had taken a great deal upon himself, certainly. Why had she not answered him as he deserved? What did he mean—"Make yourself beloved"—as if she were not already beloved! She remembered the eyes which the peasants riveted on her. Could it be that they did not love her? And now she was seated on a wooden bench, Madame Ursula, who had at last arrived, on one side, and on the other a pretty but dirty child, who was playing with the fringe of her dress.
Meanwhile the entertainment was going on. Gudel gave more than he promised in his handbill. Before the curtain went up, he called together the members of his troupe, and encouraged them to do their best. La Roulante went up to him, and to his great amazement said a few conciliatory words. As Gudel was by no means ill-natured, he shook hands with her. The giantess turned her face toward Robeccal and winked at him.
Poor Gudel was very happy in this reconciliation. After all, things would go smoothly if he once got rid of Robeccal. Then Caillette kissed him, in her lace and spangles. Light as a bird, she skipped up to him and whispered in his ear:
"Am I not lovely to-night, papa?"