"Adorable!" he answered. He did not know that his darling was comparing herself with Irène.

Fanfar had his hands full, and seemed so little interested in the audience that Caillette was enchanted, for in her heart lurked a fear that some one would love her Fanfar. But after all it did not matter, for he cared little for all the beauties in the world. He handed La Roulante the stones which were to form her apparent nutriment. He whispered a new witticism to Bobichel, and gave Robeccal some advice as to the manner in which he should hold his sword. Then he took a position where he could see without being seen.

"Now, Fanfar," said Iron Jaws, "it is your turn! Look out for Caillette!"

The girl was to execute a new step on the tight-rope, and when she appeared, led forward by Fanfar, and made the three deep "reverences," there was a hum of admiration. She was charming—her delicacy was fairy-like. She lightly placed her foot on Fanfar's hand and sprang upon the rope. Standing there, she looked at Irène, who was leaning back with an air of indifference.

Fanfar now took up a violin, and raising the instrument to his shoulder, he began. He played at first very slowly. Caillette, with her arms folded—she had long before renounced the balancing pole—advanced up the rope. She knelt, and remained absolutely motionless. Then there came a peremptory summons from the violin. She arose and extended her arms above her head, and began to dance. Fanfar was an artist, his playing was wonderful. The music became faster and faster, and Caillette's little feet seemed hardly to touch the rope, they twinkled like stars, while Fanfar's bow looked only like a silver thread. He dropped the violin, and Caillette leaped into his arms. As she touched the ground, she threw at Irène a glance of laughing triumph.

Then came Robeccal's turn. He was a horrible object when he swallowed the swords. It was not admiration, it was horror, that he inspired. He seemed to enjoy this, and had imitated drops of blood on the sabres that he put down his throat. A few delicate persons shouted "Enough!" and Gudel appeared, not as Gudel, be it understood, but as Iron Jaws, the athlete. His enormous shoulders, his bull neck, contrasted with Fanfar's delicate form. Gudel tossed heavy weights and bent iron bars, and did all sorts of wonderful things. No one noticed the agility with which Fanfar, in his subordinate rôle, passed these weights to his employer. And now, the principal feat was to be performed. Fanfar rolled a barrel upon the stage, on which already stood a curious apparatus of bars and chains. Over this was a platform. The barrel was placed under this platform, and filled with stones. A rim was fitted to this barrel, and it was hoisted a little distance from the ground by a chain. It was this enormous weight that Gudel was to lift with his teeth.

Iron Jaws placed himself on this platform.

Fanfar blew a blast from his trumpet, and Iron Jaws grasped the chain in his teeth. The barrel moved up and up. The crowd was absolutely silent, this excess of strength inspired them with terror. Suddenly, a strange sound was heard.

What was it? No one knew. No one had time to see. Gudel lay insensible on the ground. And Fanfar had caught this barrel in his iron arms. Had it absolutely fallen, for the chain had broken, nothing could have saved Gudel. As it was, the shock deprived him of consciousness. Fanfar himself could hardly stand.