She sent it, but not the old ones back. She wanted to read them again, it would be an occupation for the evening. She would place them in order, together with his answers. She saw a story there. “The Love Tale of a Woman of Genius.” After all, both she and Gabriel were of sufficient interest for the world to wish to read about them. (It was not until a few days later, by the way, that the title was altered, others tried, that the disingenuous diary began, the MS. started.)

She slept well that night and wrote him again in the morning, the most passionate love-letter of any of the series. Then she sent for Peter Kennedy. Wednesday, Thursday, and Friday had to be got through. And then another week, and one other. And Safety, safety with Gabriel!

Peter came hot-foot like a starving animal. It was five days since he had seen her, and he looked worn and cadaverous. She gave him an intermittent pulse to count, told him she had had a sleepless night, found herself restless, unnerved, told him no more. He was purely professional at first, brusquely uneasy about her, blaming her for all she had done and left undone, the tonic she had missed, the unrest to which she admitted. After that they found little more to say to each other, though Peter could not tear himself away.

She talked best to Peter through the piano, as he to her. Even in these few weeks his playing had enormously improved. The whole man had altered. She had had more and different effect upon him than would have seemed possible at first. He had never been in love before, only known vulgar intrigue, how to repel the glad-eye attentions of provincial maidens to whom his size was an attraction, and his stupidity no deterrent. This was something altogether different, and in a measure he had grown to meet it, become more ambitious and less demonstrative, perceptibly humbler. She knew he loved her but made light of it. He filled up the hours until Gabriel would come again. That was all. But less amusingly now that she had less difficulty in managing him. This mutual attraction of music slurred over many weak places in their intercourse.

Wednesday he sat through the afternoon, stayed on to dinner playing to her and listening. Thursday he paid her a professional visit in the morning, would have sounded her heart but that his stethoscope was unsteady, and he heard his own heartbeats louder and more definitely than hers. Thursday evening he ran up on his bicycle to see if she was all right. There was more music, and for all his newly found self-restraint a scene at parting, a scene that troubled her because she could not hold herself guiltless in bringing it about, and Gabriel was in her mind now to the exclusion of any other man. Gabriel had won solidly that which at first was little more than an incitement, an inclination.

Gabriel Stanton would not have made love to another man’s fiancée. His standard was higher than her own, just as his scholarship was deeper and more profound. She was proud that he loved her, simpler and more sincere than she had ever been before.

Tonight, when Peter Kennedy broke down, and cried at her feet and told her that his days were hell and all his nights sleepless, she was ashamed and distressed, much more repelled than attracted. She told him she would refuse to see him, that she would not have him at the house at all if he could not learn to behave himself.

“You are a disgrace to your profession,” she said crossly, knowing she was not blameless.

“You do not really think so, do you?” he asked. “I can’t help being in love with you.”

“Yes, I do. You have given me a pain.”