We trust that we have travelled thus far on our journey without wounding the susceptibilities of any of our readers, and that thus it may continue to the not distant end. In all probability our remarks and illustrations will have been scanned by two totally diverse classes of patrons, those to whom the topics suggested present much that is worthy of attention, and those to whom this little treatise will appear to be written in almost an unknown tongue. All that we can do is to claim the indulgence of these latter. We hope that they at least will acquit us of any intention of blemishing the fair front of human nature, or of darkening any of the windows that administer to its requirements of light and air. In fine, we trust that what has been said, has been spoken fairly and frankly. Not, however, that we pretend that the views we may have advanced have anything but a local application. There is a swearing world, a place in which people habitually swear, but there is also a non-swearing world in which they are partially if not totally unacquainted with observances of swearing. To present a picture of the former to the dwellers in the more opposite locality is to expect approval of a marine painting from those who have never beheld the sea. The reflections therefore that we may have been called upon to make by the way, no less than the numerous instances we have found it as well to refer to, must be taken as pertaining only to those troubled waters that surge around the continent inhabited of swearers.

This careless, indulgent and pleasure-seeking portion of the world have derived even comfort and convenience from a recognition of the best regulated usages of swearing. Reputations for courage and audacity have thus been hourly established by the careful insinuation of hideous expletives. Friendships have been cemented by the force of this common bond of union; strangers set at their ease; the weak and hesitating have been galvanised into action. Judging from a purely worldly standpoint, it would be inconsistent not to admit that society has been under deep obligations to this especial form of wickedness. Swearing has in the main been rendered agreeable and popular in so far that it has been adopted to span over social distances and level social distinctions, to create in fact a code of easy sympathy between otherwise thoroughly unsympathetic men. The worst—and swearers are not necessarily the worst—no less than the best of mankind endeavour to generate some species of that “touch of nature” which we are told makes the whole world kin. We must not therefore be too severe on finding that this very creditable object is sometimes sought to be accomplished by somewhat discreditable means.

As a few of our readers may by this time have harboured a conviction that swearing is in some degree a social necessity, they will be able to give full scope to the views upon this point of the excellent Mr. Shandy.[53] The only compunction that seems to have been entertained by this gentleman resided in the danger of expending small curses upon totally inadequate occasions. He maintained, indeed, with the utmost Cervantic gravity, that he had the greatest veneration for that student of swearing who, in obvious mistrust of his own extempore powers, composed forms suitable to all degrees of provocation, and kept them framed over his chimney-piece for daily reference.

“I never apprehended,” puts in Dr. Slop, “that such a thing was ever thought of—much less executed.”

“I beg your pardon,” replies Mr. Shandy, “I was reading—though not using—one of them to my brother Toby this morning, whilst he poured out the tea.”

The work of ingenuity in question turned out to be a decree of excommunication, certainly a very ponderous and damnatory one, compiled by Ernulphus, a learned bishop of Rochester. Mr. Shandy is understood to account for the comprehensiveness of this anathema by assuming it to have been designed as an institute or perfect digest of swearing. He conjectures that upon a decline of vituperation Ernulphus had with great learning collected all the known methods, for fear of their being dispersed and so lost to the world for ever. The worthy Shandy would even go so far as to maintain that there was no kind of oath that was not to be found in Ernulphus. “In short,” he would add, “I defy a man to swear out of it.”

This piece of quaintness, as we need hardly point out, only goes to the fact that wide as is the range of imprecation, it must always come back to that one monotonous symbol of despisal. The anathema of the good bishop is pitched in many keys and sounds, like the collected utterances of many throats. But even Ernulphus can scarcely have foreseen the Rabelaisian refinements that would suggest themselves to the minds of men as soon as literary demands were made upon the well-worn supply.

The genius of the French language seems more particularly to lend itself to the fabrication of burlesque forms and subterfuges. Thus to affirm by le sacré froc d’Habacuc, or by la double-triple manche de serpe, are fair specimens of the ingenuity that has been lavished. Far less offending have been the ludicrous forms of asseveration popular in the lower ranks of French society, and one of which it is sufficient to mention as occurring in a curious rhyme of the last century,[54] where among other things is found characterised the pseudo-nuptials of a certain abbess and a dignitary of the Church—

“Mais, par la vertu d’un oignon,
Ils sont mariés environ,
Comme l’est l’évêque de Chartres
Avec l’abbesse de Montmartres.”

It is not improbable that a great deal of the aversion that is associated with the practice of swearing is due to the custom of those novelists who are in the habit of screening their oaths behind the most transparent of disguises. To denote an expletive by its initial letter followed with a dash is really to attract undue attention to that which the writer acknowledges himself ashamed of printing. The contrivance serves no useful purpose, and, if we are not mistaken, the more robust of modern novelists have eschewed it altogether. Very different in this respect is the device adopted by Dickens in one of the most entertaining of his romances. Readers of ‘Great Expectations’ will remember the description of Mr. William Barley. This presents us with a picture of a water-logged old ship’s captain, who, as he lay through the long hours of the day and night upon his uneasy mattress, never ceased to hold communion with himself in anything but a strain of piety—“Ahoy! bless your eyes, here’s old Bill Barley! Here’s old Bill Barley on the flat of his back, by the Lord! Lying on the flat of his back, like a drifting old dead flounder; here’s old Bill Barley, bless your eyes. Ahoy! Bless you!” Of course the point of this monologue lies in the fact that the supposed blessings are really substituted by the novelist for desires of a very opposite description.