For when they knew the king was gone
And power was wielded by his son,
The wrath of subject kings awoke,
Which had been damped in sullen smoke.
Raghu therefore determines to make a warlike progress through all India. He marches eastward with his army from his capital Ayodhya (the name is preserved in the modern Oudh) to the Bay of Bengal, then south along the eastern shore of India to Cape Comorin, then north along the western shore until he comes to the region drained by the Indus, finally east through the tremendous Himalaya range into Assam, and thence home. The various nations whom he encounters, Hindus, Persians, Greeks, and White Huns, all submit either with or without fighting. On his safe return, Raghu offers a great sacrifice and gives away all his wealth. [2]
Fifth canto. Aja goes wooing.—While King Raghu is penniless, a young sage comes to him, desiring a huge sum of money to give to the teacher with whom he has just finished his education. The king, unwilling that any suppliant should go away unsatisfied, prepares to assail the god of wealth in his Himalayan stronghold, and the god, rather than risk the combat, sends a rain of gold into the king's treasury. This gold King Raghu bestows upon the sage, who gratefully uses his spiritual power to cause a son to be born to his benefactor. In course of time, the son is born and the name Aja is given to him. We are here introduced to Prince Aja, who is a kind of secondary hero in the poem, inferior only to his mighty grandson, Rama. To Aja are devoted the remainder of this fifth canto and the following three cantos; and these Aja-cantos are among the loveliest in the epic. When the prince has grown into young manhood, he journeys to a neighbouring court to participate in the marriage reception of Princess Indumati. [3] One evening he camps by a river, from which a wild elephant issues and attacks his party. When wounded by Aja, the elephant strangely changes his form, becoming a demigod, gives the prince a magic weapon, and departs to heaven. Aja proceeds without further adventure to the country and the palace of Princess Indumati, where he is made welcome and luxuriously lodged for the night. In the morning, he is awakened by the song of the court poets outside his chamber. He rises and betakes himself to the hall where the suitors are gathering.
Sixth canto. The princess chooses.—The princely suitors assemble in the hall; then, to the sound of music, the princess enters in a litter, robed as a bride, and creates a profound sensation.
For when they saw God's masterpiece, the maid
Who smote their eyes to other objects blind,
Their glances, wishes, hearts, in homage paid,
Flew forth to her; mere flesh remained behind.The princes could not but betray their yearning
By sending messengers, their love to bring,
In many a quick, involuntary turning,
As flowering twigs of trees announce the spring.
Then a maid-servant conducts the princess from one suitor to another, and explains the claim which each has upon her affection. First is presented the King of Magadha, recommended in four stanzas, one of which runs:
Though other kings by thousands numbered be,
He seems the one, sole governor of earth;
Stars, constellations, planets, fade and flee
When to the moon the night has given birth.
But the princess is not attracted.
The slender maiden glanced at him; she glanced
And uttered not a word, nor heeded how
The grass-twined blossoms of her garland danced
When she dismissed him with a formal bow.
They pass to the next candidate, the king of the Anga country, in whose behalf this, and more, is said: