—The Germans possess such a collection of their stories in their popular books of the "Horny Sigfried," of the "Heymon Children," of "Beautiful Magelone," "Fortunatus," "The Wandering Jew," "Faust," "The Adventurous Simplicissimus," "The Schildbürger," "The Island of Felsenburg," "Lienhard and Gertrude," &c. Also, the art works of the great masters which possess national significance must be spoken of here, as the Don Quixote of Cervantes.—

§ 96. The most general form in which the childish imagination finds exercise is that of fairy-tales; but Education must take care that it has these in their proper shape as national productions, and that they are not of the morbid kind which poetry so often gives us in this species of literature, and which not seldom degenerate to sentimental caricatures and silliness.

—The East Indian stories are most excellent because they have their origin with a childlike people who live wholly in the imagination. By means of the Arabian filtration, which took place in Cairo in the flourishing period of the Egyptian caliphs, all that was too characteristically Indian was excluded, and they were made in the "Tales of Scheherezade," a book for all peoples, with whose far-reaching power in child-literature, the local stories of a race, as e.g. Grimm's admirable ones of German tradition, cannot compare. Fairy-tales made to order, as we often see them, with a mediæval Catholic tendency, or very moral and dry, are a bane to the youthful imagination in their stale sweetness. We must here add, however, that lately we have had some better success in our attempts since we have learned to distinguish between the naïve natural poetry, which is without reflection, and the poetry of art, which is conditioned by criticism and an ideal. This distinction has produced good fruits even in the picture-books of children. The pretensions of the gentlemen who printed illustrated books containing nothing more solid than the alphabet and the multiplication table have become less prominent since such men as Speckter, Fröhlich, Gutsmuths, Hofman (the writer of "Slovenly Peter"), and others, have shown that seemingly trivial things can be handled with intellectual power, if one is blessed with it, and that nothing is more opposed to the child's imagination than the childishness with which so many writers for children have fallen when they attempted to descend with dignity from their presumably lofty stand-point. Men are beginning to understand that Christ promised the kingdom of heaven to little children on other grounds than because they had as it were the privilege of being thoughtless and foolish.—

§ 97. For youth and maidens, especially as they approach manhood and womanhood, the cultivation of the imagination must allow the earnestness of actuality to manifest itself in its undisguised energy. This earnestness, no longer through the symbolism of play but in its objective reality, must now thoroughly penetrate the conceptions of the youth so that it shall prepare him to seize hold of the machinery of active life. Instead of the all-embracing Epos they should now read Tragedy, whose purifying process, through the alternation of fear and pity, unfolds to the youth the secret of all human destiny, sin and its expiation. The works best adapted to lead to history on this side are those of biography—of ancient times, Plutarch; of modern times, the autobiographies of Augustine, Cellini, Rousseau, Goethe, Varnhagen, Jung Stilling, Moritz, Arndt, &c. These autobiographies contain a view of the growth of individuality through its inter-action with the influences of its time, and, together with the letters and memoirs of great or at least note-worthy men, tend to produce a healthy excitement in the youth, who must learn to fight his own battles through a knowledge of the battles of others. To introduce the youth to a knowledge of Nature and Ethnography no means are better than those of books of travel which give the charm of first contact, the joy of discovery, instead of the general consciousness of the conquests of mind.

—If educative literature on the one hand broadens the field of knowledge, on the other it may also promote its elaboration into ideal forms. This happens, in a strict sense, through philosophical literature. But only two different species of this are to be recommended to youth: (1) well-written treatises which endeavor to solve a single problem with spirit and thoroughness; or, (2) when the intelligence has grown strong enough for it, the classical works of a real philosopher. German literature is fortunately very rich in treatises of this kind in the works of Lessing, Herder, Kant, Fichte, Schleiermacher, Humboldt, and Schiller. But nothing does more harm to youth than the study of works of mediocrity, or those of a still lower rank. They stupefy and narrow the mind by their empty, hollow, and constrained style. It is generally supposed that these standard works are too difficult, and that one must first seize them in this trivial and diluted form in order to understand them. This is one of the most prevalent and most dangerous errors, for these Introductions or Explanations, easily-comprehended Treatises, Summary Abstracts, are, because of their want of originality and of the acuteness which belongs to it, much more difficult to understand than the standard work itself from which they drain their supplies. Education must train the youth to the courage which will attempt standard works, and it must not allow any such miserable preconceived opinions to grow up in his mind as that his understanding is totally unable to comprehend works like Fichte's "Science of Knowledge," the "Metaphysics" of Aristotle, or Hegel's "Phenomenology." No science suffers so much as Philosophy from this false popular opinion, which understands neither itself nor its authority. The youth must learn how to learn to understand, and, in order to do this, he must know that one cannot immediately understand everything in its finest subdivisions, and that on this account he must have patience, and must resolve to read over and over again, and to think over what he has read.—

§ 98. (3) Imagination returns again within itself to perception in that it replaces, for conceptions, perceptions themselves, which are to remind it of the previous conception. These perceptions may resemble in some way the perception which lies at the basis of the conception, and be thus more or less symbolical; or they may be merely arbitrary creations of the creative imagination, and are in this case pure signs. In common speech and writing, we call the free retaining of these perceptions created by imagination, and the recalling of the conceptions denoted by them, Memory. It is by no means a particular faculty of the mind, which is again subdivided into memory of persons, names, numbers, &c. As to its form, memory is the stage of the dissolution of conception; but as to its content, it arises from the interest which we take in a subject-matter. From this interest results, moreover, careful attention, and from this latter, facility in the reproductive imagination. If these acts have preceded, the fixing of a name, or of a number, in which the content interesting us is as it were summed up, is not difficult. When interest and attention animate us, it seems as if we did not need to be at all troubled about remembering anything. All the so-called mnemonic helps only serve to make more difficult the act of memory. This act is in itself a double function, consisting of, first, the fixing of the sign, and second, the fixing of the conception subsumed under it. Since the mnemonic technique adds to these one more conception, through whose means the things with which we have to deal are to be fixed in order to be able freely to express them in us, it trebles the functions of remembering, and forgets that the mediation of these and their relation—wholly arbitrary and highly artificial—must also be remembered. The true help of memory consists in not helping it at all, but in simply taking up the object into the ideal regions of the mind by the force of the infinite self-determination which mind possesses.

—Lists of names, as e.g. of the Roman emperors, of the popes, of the caliphs, of rivers, mountains, authors, cities, &c.; also numbers, as e.g. the multiplication table, the melting points of minerals, the dates of battles, of births and deaths, &c., must be learned without aid. All indirect means only serve to do harm here, and are required as self-discovered mediation only in case that interest or attention has become weakened.—

§ 99. The means to be used, which result from the nature of memory itself, are on the one hand the pronouncing and writing of the names and numbers, and on the other, repetition; by these we gain distinctness and certainty.

—All artificial contrivances for quickening the memory vanish in comparison with the art of writing, in so far as this is not looked at as a means of relieving the memory. That a name or a number should be this or that, is a mere chance for the intelligence, an entirely meaningless accident to which we have unconditionally to submit ourselves as unalterable. The intelligence must be accustomed to put upon itself this constraint. In science proper, especially in Philosophy, our reason helps to produce one thought from others by means of the context, and we can discover names for the ideas from them.—

III. The Logical Epoch.