“I don’t wish to interfere with anybody’s diagnosis,” I interposed at the first possible moment, “but perhaps after you’ve both finished your psychologic investigation the subject may be allowed to explain herself from the inside, so to speak. I won’t deny the spell of Italy, but I think the spell that Scotland casts over one is quite a different thing, more spiritual, more difficult to break. Italy’s charm has something physical in it; it is born of blue sky, sunlit waves, soft atmosphere, orange sails, and yellow moons, and appeals more to the senses. In Scotland the climate certainly has nought to do with it, but the imagination is somehow made captive. I am not enthralled by the past of Italy or France, for instance.”
“Of course you are not at the present moment,” said Francesca, “because you are enthralled by the past of Scotland, and even you cannot be the slave of two pasts at the same time.”
“I never was particularly enthralled by Italy’s past,” I argued with exemplary patience, “but the romance of Scotland has a flavour all its own. I do not quite know the secret of it.”
“It’s the kilts and the pipes,” said Francesca.
“No, the history.” (This from Salemina.)
“Or Sir Walter and the literature,” suggested Mr. Macdonald.
“Or the songs and ballads,” ventured Jean Dalziel.
“There!” I exclaimed triumphantly, “you see for yourselves you have named avenue after avenue along which one’s mind is led in charmed subjection. Where can you find battles that kindle your fancy like Falkirk and Flodden and Culloden and Bannockburn? Where a sovereign that attracts, baffles, repels, allures, like Mary Queen of Scots,—and where, tell me where, is there a Pretender like Bonnie Prince Charlie? Think of the spirit in those old Scottish matrons who could sing—
‘I’ll sell my rock, I’ll sell my reel,
My rippling-kame and spinning-wheel,
To buy my lad a tartan plaid,
A braidsword, durk and white cockade.’”
“Yes,” chimed in Salemina when I had finished quoting, “or that other verse that goes—