With the Empress Dowager of China

by Katharine A. Carl

One day, she corrected one of the Princesses for the pronunciation of a word, and she said (in an aside) it was not strange this Princess did not speak better, for her father’s Chinese was “execrable,” thus showing that even Princes do not always speak the language correctly.

One of the most precious gifts the Empress Dowager makes, and which is sacredly treasured by its recipients, is a scroll with a single great character written upon it by Her Majesty’s own hand. This is considered one of the most difficult feats of a Chinese writer. These characters are sometimes four feet long. One day we were invited to go into the Throne-room to see Her Majesty make some of these characters. When I went into the Great Hall, Her Majesty and the Ladies were already there. She was stirring a great bowl of India ink, for she is very particular as to its consistency and fluidity. When the ink suited her, she took from a eunuch standing near, who held a number, a huge short-handled brush, which she could hardly clasp in her small hand. She tried two or three, before she found one that pleased her, and, turning to me, said, “You see I also have my choice in brushes.” I asked Lady Yu-Keng to tell her that I thought her large brushes were more suitable for my hands and that my smaller ones would have been more appropriate for her. She laughingly replied she preferred the Chinese brush, and that her hands, small as they were, were able to wield it very satisfactorily, which was no vain boast.

When all was ready, and the huge scroll spread out before her on a table, she dipped her brush into the bowl of ink, held by the eunuch, and began the first stroke of one of these famous characters, in which she is said to equal the most proficient writers in China. I was amazed to see the firmness of her wrist and the beautiful clearness of her stroke, which deviated not a hair’s breadth from the line she wished to follow. She made six great characters on six of the scrolls. These characters meant “Peace,” “Prosperity,” “Longevity,” etc. When she had finished these, she said she feared her hand had no longer the firmness necessary for doing another.

While she was writing, the young Empress, the Princesses, and the eunuchs stood around, watching her with intense interest. They seemed to take great pride in her firmness of touch and her accuracy of line.

The Chinese written character must be made in a certain way. It must begin at a given part. The strokes must follow a given direction. The transversal strokes must be placed with mathematical precision. Nothing is left to the caprice or individuality of the writer. Any one, knowing the Chinese written characters, can tell you whether these complicated hieroglyphs were begun at the proper place or made in the proper way. They may look perfectly correct to the uninitiated observer who has a most accurate eye, and still not be so considered by the connoisseur.

THE EMPRESS DOWAGER WRITING A “GREAT CHARACTER”

The firmness of Her Majesty’s touch is also very apparent in her painting, for she is very artistic, and paints flowers in a charming way; in fact, she is remarkably clever with her fingers. She does not embroider now, as she formerly did, nor does she paint so much, for she says her eyes are not so good as they were, though she does not and has never worn glasses. There are a great number of artificial flowers made in the Palace, as no Manchu lady’s coiffure is considered complete without flowers. Her Majesty is very particular about the way these flowers are made, and when they were brought to her for inspection, with a deft touch she would give a defective flower the required form.

She often makes new designs for the flowers, having them woven into quaint figures, or having a number of small blooms made into a representation of some large flower. She sometimes had her diadem made of the snowy blooms of the fragrant jasmine, set with leaves and other small flowers, representing jewels, and she would wear this instead of her real jewels.

She is a great believer in one of the rules that Confucius lays down for the attainment of “Illustrious Virtue”; she “cultivates her person.” She is always immaculately neat. She designs her own dresses, and has her jewels set according to her own directions. She is very artistic in the arrangement of her flowers and jewels, and sees that they harmonize with her toilet. She has excellent taste in the choice of colors, and I never saw her with an unbecoming color on, except the Imperial yellow. This was not becoming, but she was obliged to wear it on all official occasions. She used to modify it, as much as possible, by the trimmings, and would sometimes have it so heavily embroidered that the original color was hardly visible.