“These are not old shoes, yet,” replied Pilarica with untroubled sweetness, “because their eyes are shut.”
“Do you mean anything by that?” demanded the sullen-faced girl.
Pilarica put on the rat-shoe, curling her toes with a shiver of disgust, stretched out her feet and sang:
“Two little brothers
Just of a size;
When they get to be old folks
They’ll open their eyes.”
“Mine are wide open,” lisped a midget beside her, tumbling over on his back that he might the better hold up his ragged footgear to the public gaze, but as most of the children were barefoot, the subject was allowed to lapse.
The morning session was half over, as you could see by looking down that row of child faces. Half of them had been washed, and the other half evidently not. Pilarica was one of some five, out of the fifty, that came clean and tidy from home. The teacher, a white-headed grandmother, with a poppy-red handkerchief twisted into a horn over each temple, now appeared scuffling around the corner of the church on her knees, with loud puffings and groanings. She had a hard vow to fulfil,—to go seventy times around the outside of the church on those rheumatic joints, and the gravel was cruel; but she tried to make one circuit every day. Bowing her white head and kissing the lowest step of the porch, she dragged herself up and, sitting down on the alabaster fragment of a long-since-shattered statue, clucked for her pupils to gather round her as a hen would call her chickens.
“We will leave the rest of the faces till afternoon,” she announced. “Some of you may rub my knees, and Pilarica may have her doll and drill you in the scales.”
The shrewd old mistress had discovered that Pilarica was possessed of a little musical knowledge, thanks to Grandfather and his guitar, and so allowed her to bring her doll, essential to the lesson, to school; but its Paris wardrobe and Granada countenance had suffered so much in Galician handling that dolly was now regularly placed, for safe keeping, between the jaws of a stone griffin above the porch. The biggest boy had the daily privilege of climbing up and depositing it there, and the old dame’s rod would knock it out again to be caught in Pilarica’s anxious arms. Battered and tattered as the doll had become under this severe educational process, it was dearer to Pilarica than ever, and she clasped it tight as, standing before the children, she sang in that clear, fresh voice which even the sullen-faced girl gladdened to hear:
| “Don’t pin-prick my darling dolly. | Do |
| Respect my domestic matters. | Re |
| Methinks she grows melancholy, | Mi |
| Fast as her sawdust scatters. | Fa |
| Sole rose of your mamma’s posy. | Sol |
| Laugh at your mamma, so! | La |
| Seal up your eyes all cozy. | Si |
| La Sol Fa Mi Re Do.” |
After Pilarica and the doll had done their best for half an hour to inculcate a knowledge of the scales, the dame bade the children go and play Kite in the churchyard; but one of them remained.