“Oh, I have a dolly, and she is dressed in blue,
With a fluff of satin on her white silk shoe,
And a lace mantilla to make my dolly gay,
When I take her dancing this way, this way, this way.
“When she goes out walking in her Manila shawl,
My Andalusian dolly is quite the queen of all.
Gypsies, dukes and candy-men bow down in a row,
When my dolly fans herself, so and so and so.”
“It’s only Big Brother,” spoke Rodrigo quietly and, stepping forward with his lantern, he turned its light on a brave little lassie cuddled in the window-recess of what had been the boudoir of a queen. She was hugging to her heart a most comforting, companionable doll, made out of a bundle of newspapers that one of the tourists had let fall. Pilarica’s wisp of a hair-ribbon was serving as a belt and the costume was completed by Rafael’s red fez. Although the child had not slept through all the long, dark hours, the shapeless doll had borne her such good company, rustling affably whenever conversation was in order, that she had forgotten to be afraid.
V
A BEAUTIFUL FEVER
PILARICA did not remember her father, and it was not without some persuasion that she consented to let the stranger carry her, while to Rodrigo was entrusted the newspaper doll, whose demeanor he pronounced quite stiff, although her intelligence was beyond dispute.
“Don’t lose the magic cap, pl—” murmured Pilarica, but for once her politeness remained incomplete, for no sooner was the silky head at rest on the broad shoulder than the exhausted child fell fast asleep. Curiously enough, the warm pressure of that nestling little body turned the thoughts of Don Carlos, for the first time since he had left the garden, to Rafael. Had he, perhaps, been too harsh with the youngster? How suddenly that first, happy look in the great eyes had been clouded with distress and shame! The boys’ mother had always been tender with them, even in their wrongdoing. And he, accustomed as he was to deal with bolts and wheels, must learn not to handle the hearts of children as if they, too, were made of iron. The father’s mood was already self-reproachful as they entered the stone kitchen, which a ruddy brasero, the Spanish fire-pan where charcoal is burned, and a savory odor of stew made cozy and homelike.
“Now praised be the Virgin of the Pillar!” cried Tia Marta, unceremoniously snatching Pilarica from Don Carlos and carrying her to the warmth of the brasero. And while Rodrigo, his vivacity unchecked by hunger and fatigue, poured forth the story of the rescue, which lost nothing in his telling, Tia Marta woke the little sleeper enough to make her swallow a cup of hot soup, undressed her, rubbed the slender body into a rosy glow and tucked her snugly away in bed. Grandfather stirred in his cot as the child was brought into the inner room and hummed a snatch of lullaby, but Rafael’s cot was empty.
Tia Marta’s squinting eyes, as she returned to the kitchen, peered into the shadows that lay beyond the flickering circle of light cast by the brasero.
“Rafael, come and get your soup and then to bed,” she called. “You must be as sleepy as the shepherds of Bethlehem.”
But no Rafael replied. Rodrigo and his father exchanged startled glances.